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Michael Moore and the rhetoric of documentary / Edited by Thomas W. Benson and Brian J. Snee.

Contributor Benson, Thomas W. editor.

Imprint:Carbondale : Southern Illinois University Press, [2015]

Descriptionvi, 232 pages : illustrations ; 23 cm

Note:Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips.

Bibliography Note:Includes bibliographical references (pages 193-219) and index.



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Contributor
Benson, Thomas W. editor.
Snee, Brian J. editor.
Subject:
Moore, Michael, 1954 April 23- -- Criticism and interpretation.
Subject:
Documentary films -- Political aspects -- History and criticism.
Motion pictures -- Political aspects -- United States.