Author:
Pullins, David, author.
ImprintNew York : The Metropolitan Museum of Art, 2023.
ImprintNew Haven : Yale University Press
Imprint2023
Description175 pages : illustrations (chiefly color), facsimiles, color map, portraits (chiefly color) ; 28 cm
Note:"This catalogue is published in conjunction with Juan de Pareja, Afro-Hispanic Painter, on view at The Metropolitan Museum of Art, New York, from April 3 to July 16, 2023." -- Title page verso.
Note:Director's foreword -- Acknowledgments -- Introduction : "In quest of Juan de Pareja" / David Pullins and Vanessa K. Valdés -- Juan de Pareja : a biographical sketch / David Pullins -- Enslaved artisanal labor in seventeenth-century Spain / Luis Méndez Rodríguez -- Creating Black Catholics : the artistic tools of conversion / Erin Kathleen Rowe -- Arturo Schomburg, Juan de Pareja, and Afro-Hispanic studies / Vanessa K. Valdés -- Reframing the age of Velázquez / David Pullins -- Paintings by Juan de Pareja / David Pullins.
Bibliography Note:Includes bibliographical references (pages 160-172) and index.
Note:"This exhibition offers an unprecedented look at the life and artistic achievements of seventeenth-century Afro-Hispanic painter Juan de Pareja (ca. 1608-1670). Largely known today as the subject of The Met's iconic portrait by Diego Velázquez, Pareja was enslaved in Velázquez's studio for over two decades before becoming an artist in his own right. This presentation is the first to tell his story and examine the role of enslaved artisanal labor and a multiracial society in the art and material culture of Spain's so-called "Golden Age." Representations of Spain's Black and Morisco populations in works by Francisco de Zurbarán, Bartolomé Esteban Murillo, and Velázquez join works that chart the ubiquity of enslaved labor across media, from sculpture to silver. The Met's portrait, executed by Velázquez in Rome in 1650, is contextualized by his other portraits from this period and the original document whereby Pareja was freed upon return to Madrid. The exhibition culminates in the first gathering of Pareja's rarely seen paintings, some of enormous scale, which engage with the canons of Western art while reverberating throughout the African diaspora. Harlem Renaissance collector and scholar Arturo Schomburg was vital to the recovery of Pareja's work and serves as a thread connecting seventeenth-century Spain with twentieth-century New York, providing a lens through which to view the multiple histories that have been written about Pareja." Metropolitan Museum of Art.
