Gauguin : portraits / edited by Cornelia Homburg, Christopher Riopelle ; with contributions by Elizabeth C. Childs, Dario Gamboni, Linda Goddard, Claire Guitton, Jean-David Jumeau-Lafond, Alastair Wright.

Contributor Homburg, Cornelia, editor, author.

ImprintOttawa, Ontario : National Gallery of Canada ; London, England : National Gallery, 2019.

ImprintNew Haven, Connecticut : Distributed by Yale University Press.

Imprint2019

Description271 pages : color illustrations, portraits, facsimiles ; 32 cm

Note:Catalog of an exhibition held at the National Gallery of Canada, Ottawa, Ontario, May 24-September 8, 2019, and at the National Gallery, London, England, October 7, 2019-January 26, 2020.

Note:Issued also in French under the same title.

Note:Introduction / Cornelia Homburg and Christopher Riopelle -- Gaugin's Self-Portraits: Egos and Alter Egos / Alastair Wright -- Head of a Savage, Mask / Jean-David Jumuea-LaFond -- Seeking Oneself Through Others: Gauguin's Portraits of His Colleagues and Friends / Cornelia Homburg -- Gauguin in Brittany / Christopher Riopelle -- Portrait Vase, Madame Schuffenecker / Jean-David Jumeau-LaFond -- Gauguin's Portraiture in Tahiti: Likeness, Myth and Cultural Identity / Elizabeth C. Childs -- 'Noa Noa' as Self-Portrait / Linda Goddard -- Soyez symboliste: Portrait of Jean Moréas / Jean-David Jumeau-LaFond -- Animation and Personhood: Gauguin's Still Lifes as Portraits / Dario Gamboni -- Gauguin and Portraiture in the Late Nineteenth Century / Claire Guitton.

Bibliography Note:Includes bibliographical references (pages 20-268) and index.

Note:Paul Gauguin (1848-1903) broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this phenomenon more evident than in his portraits, a genre he remained engaged with throughout all phases of his career. Bringing together more than 60 of Gauguin's portraits in a wide variety of media that includes painting, works on paper, and sculpture, this handsomely illustrated volume is the first focused investigation of the multifaceted ways the artist approached the subject. Essays by a group of international experts consider how the artist's conception of portraiture evolved as he moved between Brittany and Polynesia. They also examine how Gauguin infused his work with symbolic meaning by taking on different roles like the Christ figure and the savage in his self-portraits and by placing his models in suggestive settings with alluring attributes. This welcome addition to the scholarship on one of the 19th century's most innovative and controversial artists reveals fascinating insights into the crucial role that portraiture played in Gauguin's overall artistic practice.

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