Contributor
Pesce, Dolores.
Imprint:New York : Oxford University Press, 1997.
Descriptionxi, 380 p. : illus. ; 25 cm.
Note:"This collection of essays ... grew out of a conference, Hearing the Motet, held at Washington University in February 1994"--Introd.
Note:The polyphonic progeny of an Et Gaudebit: assessing family relations in the 13th-century motet / Rebecca A. Baltzer. - Beyond glossing: the old made new in Mout me fu grief /Robinm'aime/Portare / Dolores Pesce. - Which vitry? The witness of the Trinity motet from the Roman de Fauvel / Anne Walters Robertson. - Polyphony of texts and music in the 14th-century motet: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and its "quotations" / Margaret Bent. - DuFay and the cultures of renaissance Florence / Robert Nosow. - For Whom the Bell Tolls: reading and hearing Busnoy's Anthoni usque limina / Rob C. Webman. - Love and death in the 15th-century motet: a reading of Busnoy's Anima mea liquefacta est/Stirps Jesse / Paula Higgins. - Obrecht as exegete: reading Factor orbis as a Christmas sermon / M. Jennifer Bloxam. - Conflicting levels of meaning and understanding in Josquin's O admirabile commercium motet cycle / Richard Sherr. - Josquin, Good King René, and O bone et dulcissime Jesu / Parick Macey. - Miracles, motivicity, and mannerism: Adrian Willaert's Videns Dominus flentes sorores Lazari and some aspects of motet composition in the 1520s / Joshua Rifkin. - Lasso as historicist: the Cantus-Firmus motets / James Haar. - Tonal compass in the motets of Orlando di Lasso / David Crook. - Palestrina as reader: motets from the Song of Songs / Jessie Ann Owens. - On William Byrd's Emendemus in melius / Joseph Kerman. - Byrd, the Catholics, and the motet: the hearing reopened / Craig Monson.
Bibliography Note:Includes bibliographical references and index.
Note:Recommended in Resources for College Libraries
