Contributor
Beja, Morris.
Imprint:[Columbus, Ohio] : Ohio State University Press, c1983.
Descriptionx, 217 p., [2] folded leaves of plates : ill. ; 24 cm.
Note:Based on the proceedings of a symposium sponsored by the College of Humanities of the Ohio State University, held May 7-9, 1981.
Note:Beckett's theater resonance / Ruby Cohn -- Beckett's "bits of pipe" / James Knowlson -- Beckett's modernity and medieval affinities / Edidth kern -- Beckett's English / Richard N. Coe -- Unreliable narrative in Murphy / Rubin Rabinovitz -- The harpooned notebook: Malone Dies and the conventions of intercalated narrative / H. Porter Abbott -- Wittgenstein, Heidegger, the unnamable, and some thoughts on the status of voice in fiction / Allen Thiher -- Neglected Biblical allusions in Beckett's plays: "Mother Pegg" once more / Kristin Morrison -- Qu'est-ce qui arrive? Some structural comparisons of Beckett's plays and Noh / Yasunari Takahashi -- Fiction as composing process: How It Is / Frederik N. Smith -- "Syntax upended in opposite corners" : alterations in Beckett's linguistic theories / Judith E. Dearlove -- Film and formal integrity / S.E. Gontarski -- Come And Go: a criticule / Hersh Zeifman -- The Lost Ones: a myth of human history and destiny / Antoni Libera -- The Company Beckett keeps: the shape of memory and one fablist's decay of lying / Enoch Brater -- Beckett, Proust, and Burroughs, and the perils of "image warfare" / Nicholas Zurbrugg -- Appendix: The Ohio Impromptu :holograph, typescripts, and production script.
Bibliography Note:Includes bibliographical references and indexes.
