Author:
National Early Music Association Conference.
Imprint:Aldershot, Hampshire, England ; Burlington, VT: Ashgate, c2005.
Descriptionxx, 321 p. : ill. ; 25 cm.
Note:Baptiste's hautbois : the metamorphosis from shawm to hautboy in France, 1620-1670 / Bruce Haynes -- A commentary on the Letter by Michel de La Barre concerning the history of musettes and hautboys / Marc Ecochard -- The woodwind instruments of Richard Haka (1645/6-1705) / Jan Bouterse -- Basstals or curtoons : the search for a transitional fagott / Graham Lyndon-Jones -- The iconographic background to the seventeenth-century recorder / Anthony Rowland-Jones -- The Renaissance flute in the seventeenth century / Nancy Hadden -- The flute at Dresden : ramifications for eighteenth-century woodwind performance in Germany / Mary Oleskiewicz -- How did seventeenth-century English violins really sound? / Peter Trevelyan -- The development of French lute style 1600-1650 / Matthew Spring -- The early air de cour, the theorbo, and the continuo principle in France / Jonathan Le Cocq -- From stops organical to stops of variety : the English organ from 1630 to 1730 / Dominic Gwynn -- Upgrading from consorts to orchestra at the Württemberg court / Samantha Owens -- From violin band to orchestra / Peter Holman -- Organological Gruyhre / Jeremy Montagu.
Bibliography Note:Includes bibliographical references (p. [275]-304) and index.