Contributor
Arnold, Dana, editor of compilation.
ImprintChichester, West Sussex, UK : Wiley-Blackwell, 2013.
Descriptionxviii, 570 pages : illustrations ; 26 cm.
Note:The "Englishness" of English art theory / Mark A. Cheetham -- Modernity and the British / Andrew Ballantyne -- English art and principled aesthetics / Janet Wolff -- "Those wilder sorts of painting": the painted interior in the age of Antonio Verrio / Richard Johns -- Nineteenth-century art institutions and academies / Colin Trodd -- Crossing the boundary: British art across Victorianism and Modernism / David Peters Corbett -- British pop art and the high/low divide / Simon Faulkner -- When attitudes became formless: art and Antagonism in the 1960s / Jo Applin -- Art and nation in eighteenth-century Britain / Cynthia Roman -- International exhibitions: linking culture, commerce, and nation / Julie F. Codell -- Itinerant surrealism: British Surrealism either side of the Second World War / Ben Highmore -- 55 [degrees] North 3 [degrees] West: a panorama from Scotland / Tom Normand -- Retrieving, remapping, and rewriting histories of British art: Lubaina Humid's "Revenge" / Dorothy Rowe -- defining, shaping, and picturing landscape in the nineteenth century / Anne Helmreich -- Theories of the Picturesque / Michael Charlesworth -- Landscape into art: painting and place-making in England, c.1760-1830 / Tom Williamson -- Landscape painting, c.1770-1840 / Sam Smiles -- Landscape and national identity: the Phoenix Park Dublin / Dana Arnold -- The Elizabethan miniature / Dympna Callaghan -- "The crown and glory of a woman": female chastity in eighteenth-century British art / Kate Retford -- Serial portraiture and the death of man in late-eighteenth-century Britain / Whitney Davis -- Virtue, vice, gossip, and sex: narratives of gender in Victorian and Edwardian painting / Pamela M. Fletcher.
Bibliography Note:Includes bibliographical references and index.
