Contributor
Bodley, Lorraine Byrne, 1968-
Imprint:Cambridge : Cambridge University Press, c2016.
Descriptionxxix, 458 p. : music, ill. ; 26 cm.
Note:Introduction: Schubert's late style and current musical scholarship Lorraine Byrne Bodley -- Part I: Reception Histories. 'Classical' music and Viennese resistance to Schubert's Beethoven project / John M. Gingerich ; Beethoven, Schubert, and the movement of phenomena / Scott Burnham ; [Un]Himmlische Lnge: editorial intervention as reception history / Anne M. Hyland ; Citation, narrative and meaning: Woody Allen and the late Schubert / Harry White -- Part II: The Late Instrumental Music: Hermeneutics and Performance. Schubert's alchemy: transformative surfaces, transfiguring depths / Robert S. Hatten ; Against the grain: Op. 78 and a hermeneutics of late style / Richard Kramer ; Schubert's Wiegenlied: the Andante sostenuto from the Piano Sonata in B flat, D. 960 / Eric Wen ; Schubert's reconciliation of gothic and classical influences / Marjorie Hirsch ; The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis / Julian Horton -- Part III: The Late Instrumental Music: Meaning and Genre. Schubert hearing Don Giovanni: Mozartian death music in the 'Unfinished' Symphony / Glenn Stanley ; Longing for the unattainable: the second movement of the 'Great' C major Symphony / Lauri Suurp ; Tonal recollection in Schubert's late instrumental music / Ryan McClelland ; Detours, wrong tracks, and dead ends: the 'wanderer' in the labyrinth of Schubert's late instrumental music / Xavier Hascher ; Formal ambiguity and generic reinterpretation in the late instrumental music / Su-Yin Mak -- Part IV: Defining Late Style. The 'problem of solitude' and critique in song: Schubert's loneliness / Susan Youens ; Music of the orphaned self? Schubert and concepts of late style / Lorraine Byrne Bodley ; Bounded finitude and boundless infinitude: Schubert's contradictions at the 'final barrier' / Blake Howe
Bibliography Note:Includes bibliographical references and index.
