Contributor
Jach, Therese, editor.
Imprint:Lanham, MD : Lexington Books, c2017.
Descriptionxvi, 186 p. ; 24 cm.
Note:Digital pasts: on composition, creative writing, and emergent technologies -- Defining digital creative writing studies -- Ideology, subjectivity, and the creative writer in the digital age -- Process, genre, and technologizing the word -- Fenceless neighbors: on composition, creative writing, and emerging institutional practices. Summary: "In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Composition, Creative Writing Studies and the Digital Humanities is the first book to bring these three fields together to open up new opportunities and directions for creative writing studies. Placing the rise of Creative Writing Studies alongside the rise of the digital humanities in Composition/Rhetoric, Adam Koehler shows that the use of new media and its attendant re-evaluation of fundamental assumptions in the field stands to guide Creative Writing Studies into a new era. Covering current developments in composition and the digital humanities, this book re-examines established assumptions about process, genre, authority/authorship and pedagogical practice in the creative writing classroom." -- Back cover.
Bibliography Note:Includes bibliographical references (p. 165-174) and index.
Note:This collection examines the history of the experience of female inmates in American prisons from the early nineteenth century to the twenty-first century. The contributors analyze women's efforts to exert agency and control over their bodies and experiences, issues of race and class, and how women's experiences differed from those of male inmates. -- Provided by publisher
Note:Recommended in Resources for College Libraries
