Author:
Wallace, Lewis Raven, author.
ImprintChicago : The University of Chicago Press, 2019.
Imprint2019
Description239 pages ; 24 cm
Note:How Black Lives Matter made the news -- The deviants: race, lynching, and the origins of "objectivity" -- The agitators: journalists as labor leaders -- Drowning in facts: "objectivity," ambiguity, and Vietnam -- "Public Radio Voice" -- Straight news, gay media, and the AIDS crisis -- Journalism's purity ritual -- "Can't you find any more women to attack?": what happens when facts don't matter -- Truth and the lost cause -- The "assault on reality": trans people and subjectivity -- The view from somewhere -- Conclusion: The end of journalism.
Bibliography Note:Includes bibliographical references (pages 219-228) and index.
Note:"#MeToo. #BlackLivesMatter. #NeverAgain. #WontBeErased. Though both the right- and left-wing media claim "objectivity" in their reporting of these and other contentious issues, the American public has become increasingly cynical about truth, fact, and reality. In The View From Somewhere, Lewis Raven Wallace dives deep into the history of "objectivity" in journalism and how it's been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it--not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question "objectivity" with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against "objectivity" in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers--the choices they make reflect worldviews tinted by race, class, gender, and geography. He upholds the centrality of facts and the necessary discipline of verification but argues against the long-held standard of "objective" media coverage that asks journalists to claim they are without bias." --Publisher's website.
