Contributor
Bouvard, Emilie, editor.
ImprintCleveland, Ohio : The Cleveland Museum of Art, [2022]
ImprintNew Haven : Yale University Press, [2022]
Imprint2022
Description240 pages : illustrations (some color) ; 32 cm
Note:"Published on the occassion of the exhibition: Albert Giacometti: Toward the Ultimate Figure, on view at the Cleveland Museum of Art from March 12 to June 12, 2022; the Seattle Art Museum from July 14 to October 9, 2022; the Museum of Fine Arts Houston, from November 13 to February 12, 2023; and the Nelson Atkins Museum of Art, Kansas City, from March 19 to June 18, 2023."--Title page verso.
Note:"Fondation-Giacometti".
Note:Introduction: Alberto Giacometti, to the US and back / Émilie Bouvard -- Force fields / Serena Bucalo-Mussely and Catharina Manchanda -- Walking Man / Catherine Grenier -- The Nose: the surrealist background, between Breton and Sartre / William H. Robinson -- The Chariot: vaying meanings / William Keyse Rudolph -- The all-consuming drawing practice of Alberto Giacometti / Hugo Daniel -- Stampa: a family of artists / Ann Dumas -- Paris: life in a studio in Montparnasse / Romain Perrin -- Obsessed with heads / Romain Perrin -- Into thin air / Romain Perrin -- On solid ground / Romain Perrin -- The artist, the wife, and the brother / Romain Perrin -- Other spaces: landscapes / Romain Perrin -- Poets, writers, and books / Romain Perrin -- Grappling with the real / Romain Perrin -- Walking man, standing woman / Romain Perrin.
Bibliography Note:Includes bibliographical references (page 233-235).
Note:"This lavishly illustrated retrospective traces the early and midcareer development of the preeminent Swiss artist Alberto Giacometti (1901-1966), examining the emergence of his distinct figural style through works including a series of walking men, elongated standing women, and numerous busts. Rare paintings and drawings from his formative period show the significance of landscape in Giacometti's work, while also revealing the influence of the postimpressionist painters that surrounded his father, the artist Giovanni Giacometti. Other areas of inquiry on which Alberto Giacometti casts new light are his studio practice- amply illustrated with photographs- his obsessive focus on depicting the human head, his collaborations with poets and writers, and his development of the walking man sculpture, thanks to numerous drawings, many of which have never been shown. Original essays by modern art and Giacometti specialists shed new light on era-defining sculptural masterpieces, including the Walking Man, the Nose, and the Chariot, or on key aspects of his work, such as the significance of surrealism, his drawing practice, or the question of space."
