Contributor
Moore, Michelle E. editor.
ImprintEdinburgh : Edinburgh University Press, [2020]
Imprint2020
Descriptionxii, 259 pages : illustrations ; 24 cm.
Note:Introduction: Taxi Driver Forward / Brian Brems and Michelle E. Moore -- Schrader and Style / Erik M. Bachman -- Movement and Meaning: The "unmotivated" Camera in Four Films by Paul Schrader / Deborah Allison -- Late Schrader: From the Canon to the Canyons / Billy Stevenson -- "Thinking White:" Performing Racial Tension in Blue Collar / Scott Balcerzak -- Prophets and Zealots: Paul Schrader's Adaptations of The Mosquito Coast and The Last Temptation of Christ / Erica Moulton -- "So I find another form of expression": Art and Life/Art in Life in Paul Schrader's Mishima: A Life in Four Chapters / Thomas Prasch -- Schraders Women: Cat People and Patty Hearst / Brian Brems -- Paul Schrader's Experiment in Italian Neo-decadence: The Comfort of Strangers and the Sadean System / Robert Dassanowsky -- "Just Being Transparent Baby": Surveillance Culture, Digitization and Self-Regulation in Paul Schrader's The Canyons / James Slaymaker -- "Every Act of Preservation Is an Act of Creation": Paul Schrader's Eco-Theology in First Reformed / Tatiana Prorokova -- Leaning on the Everlasting Arms: Love and Silence in First Reformed / Robert Ribera -- Interview with Paul Schrader / conducted by Michelle E. Moore and Brian Brems on 9/27/2018 at the Rail Line Diner, NYC.
Bibliography Note:Includes bibliographical references (pages 236-247) and index.
