Contributor
Nichols, Bill, 1942-
Imprint:Berkeley : University of California Press, c1976-c1985.
Description2 v. : illus. ; 25 cm.
Note:Includes index.
Note:vol. 1. The Lef arena / O. Brik & V. Shklovsky - Cinema/ideology/criticism / Jean-Luc Comolli & Jean Narboni - Fascinating fascism / Susan Sontag - Towards a third cinema / Fernando Solanas and Ocavio Gettino - Frank Capra and the cinema of populism / Jeffrey Richards - Serpico / Irwin Silber - Godfather II: a deal Coppola couldn't refuse / John Hess Vent d'Est or Godard and Rocha at the crossroads / James Roy MacBean - Cycles and genres / Richard Griffith - Genre and critical methodology / Andrew Tudor - Meep Meep / Richard Thompson - Prospects of the ethnographic film / David MacDougall - The evolution of the western / André Bazin - Genre: a reply to Ed Buscombe / Richard Collins - The western / Alan Lovell - Vivre sa vie / Siew Hwa Beh Sisters of the night / Karyn Kay - The divided woman : Bree Daniels in Klute / Diane Giddis - The woman's film / Siew Hwa Beh Cries and whispers / Constance Penley - Women's cinema as counter-cinema / Claire Johnston - A certain tendency of the French cinema / François Truffaut - Towards a theory of film history / Andrew Sarris - The cinema of Nicholas Ray / V.F. Perkins - Six films of Josef von Sternberg / Raymond Durgnat - Citizen Kane / David Bordwell - Shock corridor by Sam Fuller / Thomas Elsaesser - To have (written) and have not (directed) / Robin Wood - Blow-job and pornography / Stephen Koch - The long take / Brian Henderson - Some visual motifs of Film Noir / J.A. Place & L.S. Peterson - Disputed passage / Fred Camper - Mostly on Rio Lobo / Greg Ford - Shape and a black point / Geoffrey Nowell-Smith - Paul Sharits: illusion and object / Regina Cornwell - Colour film / Sergei Eisenstein - Two types of film theory / Brian Henderson - A critical history of early film theory / V.F. Perkins - Toward a non-bourgeois camera style / Brian Henderson - The tutor-code of classical cinema / Daniel Dayan - Against "The system of the suture" / William Rothman - Totems and movies / Sam Rohdie - Cinema and semiology: some points of contact / Peter Wollen - John Ford's Young Mr. Lincoln / The editors, Cahiers du cinma - The Auteur theory / Peter Wollen - The cinema of poetry / Pier Paolo Pasolini - Structure and meaning in the cinema / Ronald Abramson - Current problems of film theory: Jean Mitry's L'Esthtique et psychologie du cinma, vol. 2 / Christian Metz - From logos to lens / Yves de Laurot - On the notion of cinematographic language / Christian Metz - Articulations of the cinematic code / Umberto Eco - Style, grammar and the movies / Bill Nichols.
Note:vol. 2. - The Stalin myth in Soviet cinema (with an introduction by Dudley Andrew) / Andre Bazin - Technique and ideology : camera, perspective, depth of field / Jean-Louis Comolli - Technological and aesthetic influences on the development of deep-focus cinematography in the United States / Patrick Ogle - Sound and color / Edward Buscombe - Notes on Columbia Pictures Corporation 1926-1941 / Edward Buscombe - Writing the history of the American film industry : Warner Brothers and Sound / Douglas Gomery - Color and cinema : problems in the writing of history / Edward Branigan - Mass-produced photoplays : economic and signifying practices in the first years of Hollywood / Janet Staiger - Tales of sound and fury : observations on the family melodrama / Thomas Elsaesser - Minnelli and melodrama / Geoffrey Nowell-Smith - An introduction to the American horror film / Robin Wood - Entertainment and utopia / Richard Dyer - Beyond Verite : Emile de Antonio and the new documentary of the seventies / Thomas Waugh - The voice of documentary / Bill Nichols - Beyond observational cinema / David MacDougall - The avant-garde : history and theories / Constance Penley & Janet Bergstrom - Visual pleasure and narrative cinema / Laura Mulvey - Towards a feminist film practice : some theses / Claire Johnston - Jeanne Dielman : death in installments / Jayne Loader - In the name of feminist film criticism / B. Ruby Rich - The right of re-vision : Michelle Citron's Daughter rite / Linda Williams & B. Ruby Rich - Gentlemen consume blondes / Maureen Turim - The place of woman in the cinema of Raoul Walsh / Pam Cook & Claire Johnston - Signification in the cinema / Paul Sandro - The anatomy of a proletarian film : Warner's Marked woman / Charles Eckert - The Searchers : an American dilemma/ Brian Henderson - Mildred Pierce reconsidered / Joyce Nelson - The Spectator-in-the-text : the rhetoric of Stagecoach / Nick Browne - S/Z and The Rules of game / Julia Lesage - Godard and counter cinema : Vent d'Est / Peter Wollen - Jaws, ideology, and film theory / Steven Heath - Psychoanalysis and cinema : the imaginary discourse / Charles F. Altman - Ideological effects of the basic cinematographic apparatus / Jean-Louis Baudry - Story/Discourse : notes on two kinds of voyeurism / Christian Metz - A Note on story/discourse / Geoffrey Nowell-Smith - On the naked thighs of Miss Dietrich / Peter Baxter - The Voice in the cinema : the articulation of body and space / Mary Ann Doane - The Avant-garde and its imaginary / Constance Penley - Masochism and the perverse pleasures of the cinema / Gaylyn Studlar - The neglected tradition of phenomenology in film theory / Dudley Andrew - Colonialism, racism and representation : an introduction / Robert Stam & Louise Spence - Responsibilities of a gay film critic / Robin Wood - A Brechtian cinema? Towards a politics of self-reflexive film/ Dana Polan - The Point-of-view shot / Edward Branigan - Statistical style analysis of motion pictures / Barry Salt - The Space between shots / Dai Vaughn - Class and allegory in contemporary mass culture : Dog day afternoon as a political film / Frederic Jameson.
Bibliography Note:Bibliography: v. 2, p. [735]-743.
