Contributor
Dutton, Richard, 1948-
Imprint:Malden, MA : Blackwell Pub., 2003-
Descriptionv. <2 > ; 26 cm.
Note:V.1 - "A rarity most beloved": Shakespeare and the idea of tragedy / David Scott Kastan. - The tragedies of Shakespeare's contemporaries / Martin Coyle. - Minds in company: Shakespearean tragic emotions / Katherine Rowe. - The divided tragic hero / Catherine Belsey. - Disjointed times and half-remembered truths in Shakespearean tragedy / Philippa Berry. - Reading Shakespeare's tragedies of love: Romeo and Juliet, Othello, and Antony and Cleopatra in early modern England / Sasha Roberts. - Hamlet productions starring Beale, Hawke, and Darling from the perspective of performance history / Bernice W. Kilman. - Text and tragedy / Graham Holderness. - Shakespearean tragedy and religious identity / Richard C. McCoy. - Shakespeare's Roman tragedies / Gordon Braden. - Tragedy and geography / Jerry Brotton. - Classic film versions of Shakespeare's tragedies: a mirror for the times / Kenneth S. Rothwell. - Contemporary film versions of the tragedies / Mark Thornton Burnett. - Titus Andronicus: a time for race and revenge / Ian Smith. - "There is no world without Verona walls": the city in Romeo and Juliet / Naomi Conn Liebler. - "He that thou knowest thine": friendship and service in Hamlet / Michael Neill. - Julius Caesar / Rebecca W. Bushnell. - Othello and the problem of blackness / Kim F. Hall. - King Lear / Kiernan Ryan. - Macbeth, the present, and the past / Kathleen McLuskie. - The politics of empathy in Antony and Cleopatra: a view from below / Jyotsna G. Singh. - Timon of Athens: the dialectic of usury, nihilism, and art / Hugh Grady. - Coriolanus and the politics of theatrical pleasure / Cynthia Marshall.
Note:V.2 - The writing of history in Shakespeare's England / Ivo Kamps. - Shakespeare and contemporary dramatics of history / Richard Helgerson. - Censorship and the problems with history in Shakespeare's England / Cyndia Susan Clegg. - Nation formation and the English history plays / Patricia A. Cahill. - The Irish text and subtext of Shakespeare's English histories / Willy Maley. - Theories of kingship in Shakespeare's England / William C. Carroll. - "To beguile the time, look like the time": contemporary film versions of Shakespeare's histories / Peter J. Smith. - The Elizabethan history play: a true genre? / Paulina Kews. - Damned commotion: riot and rebellion in Shakespeare's histories / James Holstun. - Manliness before individualism: masculinity, effeminacy, and homoerotics in Shakespeare's history plays / Rebecca Ann Bach. - French marriages and the Protestant nation in Shakespeare's history plays / Linda Gregerson. - The first tetralogy in performance / Ric Knowles. - The second tetralogy: performance as interpretation / Lois Potter. - 1 Henry VI / David Bevington. - Suffolk and the pirates: disordered relations in Shakespeare's 2 Henry VI / Thomas Cartelli. - Vexed relations: family, state, and the uses of women in 3 Henry VI / Kathryn Schwarz. - "The power of hope?" An early modern reader of Richard III / James Siemon. - King John / Virginia Mason Vaughan. - The king's melting body: Richard II / Lisa Hopkins. - 1 Henry IV / James Knowles. - Henry IV, Part 2: a critical history / Jonathan Crewe. - Henry V / Andrew Hadfield.
Note:V.3 - Shakespeare and the traditions of English stage comedy / Janette Dillon. - Shakespeare's festive comedies / François Laroque. - The humor of it: bodies, fluids, and social discipline in Shakespearean comedy / Gail Kern Paster. - Class X: Shakespeare, class, and the comedies / Peter Holbrook. - The social relations of Shakespeare's comic households / Mario DiGangi. - Shakespeare's crossdressing comedies / Phyllis Rackin. - The homoerotics of Shakespeare's Elizabethan comedies / Julie Crawford. - Shakespearean comedy and material life / Lena Cowen Orlin. - Shakespeare's comic geographies / Garrett A. Sullivan, Jr. - Rhetoric and comic personation in Shakespeare's comedies / Lloyd Davis. - Fat knight, or what you will: unimitable Falstaff / Ian Frederick Moulton. - Wooing and winning (or not): film/Shakespeare/comedy and the syntax of genre / Barbara Hodgdon. - The Two Gentlemen of Verona / Jeffrey Masten. - "Fie, what a foolish duty call you this?" The Taming of the Shrew, women's jest, and the divided audience / Pamela Allen Brown. - The Comedy of Errors and The Calumny of Appelles: an exercise in source study / Richard Dutton. - Love's Labour's Lost / John Michael Archer. - A Midsummer Night's Dream / Helen Hackett. - Rubbing at whitewash: intolerance in The Merchant of Venice / Marion Wynne-Davies. - The Merry Wives of Windsor: unhusbanding desires in Windsor / Wendy Wall. - Much Ado About Nothing / Alison Findlay. - As You Like It / Juliet Dusinberre. - Twelfth Night: "the babbling gossip of the air" / Penny Gay.
Note:V.4 - Shakespeare's sonnets and the history of sexuality: a reception history / Bruce R. Smith. - The book of changes in a time of change: Ovid's Metamorphosis in post-Reformation England and Venus and Adonis / Dympna Callaghan. - Shakespeare's problem plays and the drama of his time: Troilus and Cressida, All's Well That Ends Well, Measure for Measure / Paul Yachnin. - The privy and its double: scatology and satire in Shakespeare's theatre / Bruce Boehrer. - Hymeneal blood, interchangeable women, and the early modern marriage economy in Measure for Measure and All's Well That Ends Well / Theodora A. Jankowski. - Varieties of collaboration in Shakespeare's problem plays and late plays / John Jowett. - "What's in a name?" Tragicomedy, romance, or late comedy / Barbara A. Mowat. - Fashion: Shakespeare and Beaumont and Fletcher / Russ McDonald. - Place and space in three late plays / John Gillies. - The politics and technology of spectacle in the late plays / David M. Bergeron. - The Tempest in performance / Diana E. Henderson. - What it feels like for a boy: Shakespeare's Venus and Adonis / Richard Rambuss. - Publishing shame: The Rape of Lucrece / Coppélia Kahn. - The sonnets: sequence, sexuality, and Shakespeare's two loves / Valerie Traub. - The two party system in Troilus and Cressida / Linda Charnes. - Opening doubts upon the law: Measure for Measure / Karen Cunningham. - "Doctor She": healing and sex in All's Well That Ends Well / Barbara Howard Traister. - "You not your child well loving": text and family structure in Pericles / Suzanne Gossett. - "Imagine me, gentle spectators": iconomachy and The Winter's Tale / Marion O'Connor. - Cymbeline: patriotism and performance / Valerie Wayne. - "Meaner ministers": mastery, bondage, and theatrical labor in The Tempest / Daniel Vitkus. - Queens and the structure of history in Henry VIII / Susan Frye. - Mixed messages: the aesthetics of The Two Noble Kinsmen / Julie Sanders.
Bibliography Note:Includes bibliographical references and index.
Note:Recommended in Best Books for Academic Libraries ; Resources for College Libraries
