Contributor
Keefe, Simon P., 1968-
Imprint:Cambridge, UK ; New York : Cambridge University Press, 2005.
Descriptionxxv, 309 p. : ill., music ; 26 cm.
Note:CONTEXTS: Theories of the concerto from the eighteenth century to the present day / Simon P. Keefe. - The concerto and society / Tia DeNora. -THE WORKS: The Italian concerto in the late seventeenth and early eighteenth centuries / Michael Talbot. - The concerto in northern Europe to c.1770 / David Yearsley. - The concerto from Mozart to Beethoven : aesthetic and stylistic perspectives / Simon P. Keefe. - The nineteenth-century piano concerto / Stephan D. Lindeman. - Nineteenth-century concertos for strings and winds / R. Larry Todd. - Contrasts and common concerns in the concerto 1900-1945 / David E. Schneider. - The concerto since 1945 / Arnold Whittall. -PERFORMANCE: The rise (and fall) of the concerto virtuoso in the late eighteenth and nineteenth centuries / Cliff Eisen. - Performance practice in the eighteenth-century concerto / Robin Stowell. - Performance practice in the nineteenth-century concerto / David Rowland. - The concerto in the age of recording / Timothy Day.
Bibliography Note:Includes bibliographical references (p. 288-296) and index.
Note:Recommended in Resources for College Libraries