Author:
Bonds, Mark Evan, author.
ImprintNew York : Oxford University Press, [2022]
Descriptionxviii, 143 pages : illustrations ; 18 cm.
Note:"Published in hardcover as Beethoven : Variations on a Life in 2020."--Title page verso.
Note:The Scowl -- The Life -- Ideals -- Deafness -- Love -- Money -- Politics -- Composing -- Early-Middle-Late -- The Music -- "Beethoven".
Bibliography Note:Includes bibliographical references (pages 129-133) and index.
Note:"Despite the ups and downs of his personal life and professional career - even in the face of deafness - Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency provides the key to understanding the composer's life and works more than 250 years after his birth in 1770. Beethoven approached music as he approached life, weighing from a variety of perspectives whatever occupied him: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to recognize and unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic frown and furrowed brow, moreover, came only after his time. Discarding tired myths about the composer, this study proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self."-- Provided by publisher.
