Contributor
Browne, Nick.
Imprint:Cambridge, MA : Harvard University Press, 1990.
Descriptionix, 352 p. ; 25 cm.
Note:Jean Narboni, Sylvie Pierre, Jacques Rivette: 'Montage'. - Jean-Pierre Oudart: 'Cinema and suture'. - Jean-Louis Comolli, Jean Narboni: 'Cinema/ideology/criticism'. - Pascal Bonitzer, Jean-Louis Comolli, Serge Daney, Jean narboni, Jean-pierre Oudart: 'La Vie est à nous: A militant film'. - Jean-Pierre Oudart, Jean Narboni, Jean-Louis Comolli: 'Readings of Jancsó: Yesterday and today'. - Editorial: 'Russia in the 20s'. - Serge Daney, Jean-Pierre Oudart: 'Work, reading, pleasure'. - Jean-Pierre Oudart: 'Word play, master play'. - Editorial: 'Japanese cinema (1)'. - Jean Narboni: 'Vicarious power'. - Jean-Louis Comolli: 'Film/politics (2)'. - Collective text: Josef von Sternberg's Morocco'. - Collective editorial statement (Cahiers du cinéma, Cinéthique, Tel Quel): 'Cinema, literature, politics'. - Jean-Pierre Oudart: 'The reality effect'. - Jean-Pierre Oudart: 'Notes for a theory of representation'. - Jean-Louis Comolli: 'Technique and ideology: Camera, perspective, depth of field'. - Pascal Bonitzer: '"Reality" of denotation'. - Jacques Aumont, Pascal Bonitzer, Jean Narboni, Jean-Pierre Oudart: 'The New Babylon: The "commune" metaphor'. - Jean-Pierre Oudart: 'A lacking discourse'. - Cahiers du cinéma: 'Cinema, ideology, politics'. - Pascal Bonitzer: 'Off-screen space'. - Serge Daney, Jean-Pierre Oudart: 'The name of the author (on the "place of Death in Venice)'. - Pascal Kané: 'Re-reading Hollywood cinema: Sylvia Scarlett'. - Editorial: 'Politics and ideological class struggle'.
