Author:
Riccardi, Ricky, 1980-
Edition Statement:1st ed.
Imprint:New York : Pantheon Books, c2011.
Descriptionxxii, 369 p., [16] p. of plates : ill. ; 25 cm.
Note:Birth of the All Stars -- Europe, 1948 -- King of the Zulus, 1949 -- Decca days, 1950-1951 -- Personnel changes, 1951-1952 -- The King of Jazz meets the King of Swing, 1953 -- A brush with the law, 1953-1954 -- Columbia masterpieces, 1954-1955 -- Ambassador Satch, 1955-1956 -- Wrath of the critics, 1956 -- Showdown, 1957 -- The rigors of touring at home and abroad, 1957-1959 -- The vicissitudes of cardiac arrest, 1959-1960 -- From the Dukes of Dixieland to Dave Brubeck, 1960-1963 -- Hello, Dolly! 1964 -- From the Iron Curtain to the Crescent City, 1965-1966 -- What a wonderful world, 1967-1968 -- Winter of his discontent, 1968-1970 -- Good evening, everybody, 1970-1971.
Bibliography Note:Includes bibliographical references and index.
Note:Much has been written about Louis Armstrong, but the majority of it focuses on the early and middle stages of his long career. Now, Ricky Riccardi--jazz scholar and musician--takes an in-depth look at the years in which Armstrong was often dismissed as a buffoonish, if popular, entertainer, and shows us instead the inventiveness and depth of expression that his music evinced during this time. These are the years (from after World War II until his death in 1971) when Armstrong entertained crowds around the world and recorded his highest-charting hits, including "Mack the Knife" and "Hello, Dolly!"; years when he collaborated with, among others, Ella Fitzgerald, Duke Ellington, and Dave Brubeck; when he recorded with strings and big bands, and, of course, with the All Stars, his primary recording ensemble. Riccardi makes clear that these were years in which Armstrong enhanced his legacy as one of jazz's most influential figures.--From publisher description.
