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Leader |
LDR
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nam1 00 |
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Control # |
1
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51012143 |
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Date |
5
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20231103163530.0 |
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Fixed Data |
8
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730213s1951 nyu b 00010 eng |
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LC Card |
10
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$a 51012143 |
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Obsolete |
39
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$a15245$cTLC |
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LC Call |
50
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00 |
$aPS2112$b.Z3 1951 |
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Dewey Class |
82
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00 |
$a813.46 |
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ME:Pers Name |
100
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1 |
$aJames, Henry,$d1843-1916. |
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Title |
245
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14 |
$aThe portable Henry James /$cedited, and with an introd., by Morton Dauwen Zabel. |
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Imprint |
260
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$aNew York :$bViking press,$c1951. |
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Phys Descrpt |
300
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$aviii, 696 p. ;$c17 cm. |
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Series:Title |
440
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0 |
$aViking portable library |
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Note:Bibliog |
504
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$aBibliography: p. 687-696. |
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Note:Content |
505
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00 |
$aPART I: FIVE TALES: Four meetings (1877) - The marriages (1891) - Greville Fane (1892) - The real thing (1892) - A round of visits (1910) -- PART II: THREE NOUVELLES: The pupil (1891) - The beast in the jungle (1903) - The bench of desolation (1909) -- PART III:CRITICISM: The art of fiction (1884) - 'The great form' (1889) - Criticism (1891) - Mr. Walt Whitman (1865) - The limitations of Dickens (1865) - Hawthorne: The scarlet letter (1879) - Ivan Turgenieff (1897) - Honore de Balzac (1902) - Gustave Flaubert: Madame Bovary (1902) - Henry James to H.W. Wells (1915) -- PART IV: PORTRAITS OF PLACES: FOUR CITIES: The after-season in Rome (1873) - Occasional Paris (1877) - London (1888) - New York revisited (1906) -- PART V: PASSAGES OF AUTOBIOGRAPHY AND A JOURNAL: The sense of glory (A memory of Paris in youth: The Louvre and the Galerie d'Apollon) (1913) - The end of the Civil War: the mask of Lincoln (1914) - The banquet of initiation: London and George Eliot (1917) - The voice of Concord (1907) - A journal: Boston, Cambridge, London, Paris: 25 November 1881 - 11 November 1882 (1947). -- PART VI: LETTERS (a series of letters from Henry James to various correspondents) |
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Local Note |
590
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$aRecommended in Books for College Libraries ; Resources for College Libraries |
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AE:Title Dif |
740
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02 |
$aFour meetings. |
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AE:Title Dif |
740
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42 |
$aThe marriages. |
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AE:Title Dif |
740
|
02 |
$aGreville Fane. |
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AE:Title Dif |
740
|
42 |
$aThe real thing. |
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AE:Title Dif |
740
|
22 |
$aA round of visits. |
|
AE:Title Dif |
740
|
42 |
$aThe pupil. |
|
AE:Title Dif |
740
|
42 |
$aThe beast in the jungle. |
|
AE:Title Dif |
740
|
42 |
$aThe bench of desolation. |
|
AE:Title Dif |
740
|
42 |
$aThe art of fiction. |
|
AE:Title Dif |
740
|
42 |
$aThe great form. |
|
AE:Title Dif |
740
|
02 |
$aCriticism. |
|
AE:Title Dif |
740
|
02 |
$aMr. Walt Whitman. |
|
AE:Title Dif |
740
|
42 |
$aThe limitations of Dickens. |
|
AE:Title Dif |
740
|
02 |
$aHawthorne: the Scarlet Letter. |
|
AE:Title Dif |
740
|
02 |
$aIvan Turgénieff. |
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AE:Title Dif |
740
|
02 |
$aHonoré de Balzac. |
|
AE:Title Dif |
740
|
02 |
$aGustave Flaubert: Madame Bovary. |
|
AE:Title Dif |
740
|
02 |
$aHenry James to H.G. Wells. |
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AE:Title Dif |
740
|
42 |
$aThe after-season in Rome. |
|
AE:Title Dif |
740
|
02 |
$aOccasional Paris. |
|
AE:Title Dif |
740
|
02 |
$aLondon. |
|
AE:Title Dif |
740
|
02 |
$aNew York revisited. |
|
AE:Title Dif |
740
|
42 |
$aThe sense of glory. |
|
AE:Title Dif |
740
|
42 |
$aThe end of the Civil War: the mask of Lincoln. |
|
AE:Title Dif |
740
|
42 |
$aThe voice of Concord. |
|
AE:Title Dif |
740
|
22 |
$aA journal: Boston, Cambridge, London, Paris. |
