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|
|
|
Leader |
LDR
|
|
nam 00 |
|
Control # |
1
|
|
hbl99011698 |
|
Control # Id |
3
|
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GCG |
|
Date |
5
|
|
20091113135208.0 |
|
Fixed Data |
8
|
|
931020s1953 nyuc 00010 eng |
|
Obsolete |
39
|
|
$a15747$cTLC |
|
LC Call |
50
|
00 |
$aPS3523.E94$bM3 1953 |
|
ME:Pers Name |
100
|
1 |
$aLewis, Sinclair,$d1885-1951. |
|
Title |
245
|
14 |
$aThe man from Main Street ;$ba Sinclair Lewis reader: selected essays and other writings, 1904-1950,$cedited by Harry E. Mule and Melville H. Cane, assisted by Philip Allan Friedman. |
|
Imprint |
260
|
|
$aNew York,$bRandom House$c[1953] |
|
Phys Descrpt |
300
|
|
$axvi, 371 p. :$bport. ;$c22 cm. |
|
Note:Content |
505
|
00 |
$tThe American fear of literature (Nobel Prize address). -$tLetter to the Pulitzer Prize committee. -$tUnpublished introduction to Babbitt. -$tSeeing red (on communism). -$tThe artist, the scientist and the peace. -$tA note about Kingsblood Royal. -$tA letter on religion. -$tSelf-portrait (Berlin, August, 1927). -$tSelf-portrait (Nobel Foundation). -$tMy first day in New York. -$tTwo Yale men in utopia. -$tBreaking into print. -$tI'm an old newspaperman myself. -$tEarly publishing days. -$tA note on book collecting. -$tThe death of Arrowsmith. -$tLauncelot. -$tSuckling and lovelace. -$tEditor's table. -$tIn praise of south middle. -$tUnknown undergraduates. -$tThe world police. -$tPre-war, post-war, post-crash America. -$tTwo leters to Carl Van Doren. -$tThe American scene in fiction. -$tGentlemen, this is revolution. -$tFools, liars and Mr. DeVoto. -$tA pilgrim's progress. -$tIntroduction to Four Days on the Webutuck River. -$tA hamlet of the plains. -$tIntroductory remarks. -$tPreface to Fathers and Sons. -$tNo flight to Olympus. -$tA letter on style. -$tMy maiden effort. -$tRambling thoughts on literature as a business. -$tHow I wrote a novel on trains and beside the kitchen sink. -$tObscenity and obscurity. -$tIntroduction to Main Street. -$tIntroduction to Selected Short Stories. -$tThe art of dramatization. -$tNovelist Bites Art. -$tForeward to Henry Ward Beecher: an American portrait. -$tThe great recorder. -$tOne-man revolution. -$tWilliam Lyon Phelps. -$tOur friend, H. G. -$tThis golden half-century. -$tThe long arm of the small town. -$tMinnesota, the norse state. -$tBack to Vermont. -$tAmericans in Italy: 1. Mr. Eglantine; 2. Ann Kullmer. -$tIs America a paradise for women? -$tMain street's been paved. -$tRelation of the novel to the present. -$tSocial unrest: the passing of capitalism. -$tCheap and contented labor. |
