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Leader |
LDR
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cam a 00 |
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Control # |
1
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99019390 |
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Control # Id |
3
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DLC |
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Date |
5
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20190911110539.0 |
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Fixed Data |
8
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990128s2000 mau b 001 0 eng |
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LC Card |
10
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$a 99019390 |
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ISBN |
20
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$a0631206256 |
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ISBN |
20
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$a0631206264 (pbk. : alk. paper) |
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Obsolete |
39
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$a210511$cTLC |
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Cat. Source |
40
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$aDLC$cDLC$dDLC |
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LC Call |
50
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00 |
$aPN1994$b.F4382 2000 |
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Dewey Class |
82
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00 |
$a791.43/01$221 |
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Title |
245
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00 |
$aFilm and theory :$ban anthology /$cedited by Robert Stam and Toby Miller. |
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Imprint |
260
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$aMalden, Mass. :$bBlackwell,$c2000. |
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Phys Descrpt |
300
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$axviii, 862 p. ;$c24 cm. |
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Note:Bibliog |
504
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$aIncludes bibliographical references (p. [800]-830) and index. |
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Note:Content |
505
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00 |
$tDennis Potter and the question of the television author / $rRosalind Coward. -$tTo desire differently: Feminism and the French cinema / $rSandy Flitterman-Lewis. -$tThe unauthorized auteur today / $rDudley Andrew. -$tThe specifity of media in the arts / $rNoël Carroll. -$tFor a semio-pragmatics of film / $rRoger Odin. -$tThe scene of the screen: Envisioning cinematic and electronic "presence" / $rVivian Sobchack. -$tNecessities and constraints: A pattern of technological change / $rBrian Winston. -$tProjections of sound on image / $rMichel Chion. -$tModes of production: The televisual apparatus / $rJohn T. Caldwell. -$tQuestions of genre / $rSteve Neale. -$tA semantic/syntactic approach to film genre / $rRick Altmen. -$tThe "force-field" of melodrama / $rStuart Cunningham. -$tFilm bodies: Gender, genre, and excess / $rLinda Williams. -$tThe cinema of attraction: early film, its spectator, and the avant-garde / $rTom Gunning. -$tBlack American cinema: The new realism / $rManthia Diawara. -$tTowards a third cinema / $rFernardo Solanas and Octavio Gettino. -$tFor an imperfect cinema / $rJulio García Espinosa. -$tTowards a critical theory of third world films / $rTeshome H. Gabriel. -$tRethinking women's cinema: Aesthetics and feminist theory / $rTeresa de Lauretis. -$tCowboys and indians: Perceptions of western films among American Indians and Anglos / $rJoEllen Shively. -$tTelevision news and its spectator / $rRobert Stam. -$tAddressing the spectator of a "third world" national cinema: The Bombay "social" film of the 1940s and 1950s / $rRavi S. Vasudevan. -$tThe imaginary signifier / $rChristian Metz. -$tThe orthopsychic subject: Film theory and the reception of Lacan / $rJoan Copjec. -$tFeminism, film theory, and the bachelor machines / $rConstance Penley. -$tVisual pleasure and narrative cinema / $rLaura Mulvey. -$tFilm and the masquerade: Theorizing the female spectator / $rMary Ann Doane. -$tThe oppositional gaze: Black female spectators / $rbell hooks. -$tLooking awry / $rSlavoj Zizek. -$tConstituents of a theory of the media / $rHans Magnus Enzensberger. -$tIdeology, economy and the British cinema / $rJohn Hill. -$tMass culture and the feminine: The "place" of television in film studies / $rPatrice Petro. -$tHeavenly bodies: Film stars and society / $rRichard Dyer. -$tThe she-man: Postmodern bi-sexed performance in film and video / $rChris Straayer. -$tRoseanne: Unruly woman as domestic goddess / $rKathleen K. Rowe. -$tMarlon Brando in On the Waterfront / $rJames Naremore. -$tGender and culture of empire: Toward a feminist ethnography of the cinema / $rElla Shohat. -$tFantasies of the master race: Categories of stereotyping of American Indians in film / $rWard Churchill. -$tCultural identity and cinematic representation / $rStuart Hall. -$tWhite priveledge and looking relations: Race and gender in feminist film theory / $rJane Gaines. -$tWhite / $rRichard Dyer. -$tTelevision and postmodernism / $rJim Collins. -$tCritical and textual hypermasculinity / $rLynne Joyrich. -$t"In my weekend-only world...": Reconsidering fandom / $rHenry Jenkins. |
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Subj:Topical |
650
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0 |
$aMotion pictures. |
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AE:Pers Name |
700
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1 |
$aStam, Robert,$d1941- |
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AE:Pers Name |
700
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1 |
$aMiller, Toby,$d1958- |
