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Leader |
LDR
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cam a 00 |
Control # |
1
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2002007087 |
Control # Id |
3
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|
DLC |
Date |
5
|
|
20190911110556.0 |
Fixed Data |
8
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020508s2002 ncua b 001 0 eng |
LC Card |
10
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$a 2002007087 |
ISBN |
20
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$a0822330253 (hard : acid-free paper) |
ISBN |
20
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|
$a0822329999 (pbk. : acid-free paper) |
Obsolete |
39
|
|
$a217815$cTLC |
Cat. Source |
40
|
|
$aDLC$cDLC$dDLC |
LC Call |
50
|
00 |
$aPN1995.9.W6$bF467 2002 |
Dewey Class |
82
|
00 |
$a791.43/652042$221 |
Title |
245
|
02 |
$aA feminist reader in early cinema /$cedited by Jennifer M. Bean and Diane Negra. |
Imprint |
260
|
|
$aDurham :$bDuke University Press,$c2002. |
Phys Descrpt |
300
|
|
$avi, 584 p. :$billus. ;$c25 cm. |
Series:Title |
440
|
0 |
$aCamera obscura book |
Note:Bibliog |
504
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|
$aIncludes bibliographical references and index. |
Note:Content |
505
|
00 |
$tCircuits of memory and history: The Memoirs of Alice Guy-Blaché /$rAmelie Hastie. -$tNazimova's veils: Salome at the intersection of film histories /$rParicia White. -$tOf cabbages and authors /$rJane M. Gaines. -$tReevaluating footnotes: women directors of the silent era /$rRadha Vatsal. -$tThe gender of empire: American modernity, masculinity, and Edison's war actualities /$rKristen Whissel. -$tMaking ends meet: "Welfare films" and the politics of consumption during the progressive era /$rConstance Balides. -$tIrma Vep, vamp in the city: mapping the criminal feminine in early French serials /$rKristine J. Butler. -$tThe flapper film: comedy, dance, and jazz age kinaesthetics /$rLori Landay. -$tThe queer career of Jim Crow: racial and sexual transformation in A Florida Enchantment /$rSiobhan B. Somerville. -$tTaking precautions, or regulating early birth-control films /$rShelley Stamp. -$tThe new woman and consumer culture: Cecil B. DeMille's sex comedies /$rSumiko Higashi. -$t"So real as to seem like life itself": the Photoplay fiction of Adela Rogers St. Johns /$rAnne Morey. -$tOh, "Doll Divine": Mary Pickford, masquerade, and the pedopilic gaze /$rGaylyn Studlar. -$tImmigrant stardom in imperial America: Pola Negri and the problem of typology /$rDiane Negra. -$tTechnologies of early stardom and the extraordinary body /$rJennifer M. Bean. -$tFemininity in flight: androgyny and gynandry in early silent Italian cinema /$rAngela Dalle Vacche. -$tGreta Garbo and silent cinema: the actress as art deco icon /$rLucy Fischer. -$tAn Amorous History of the Silver Screen: the actress as vernacular embodiment in early Chinese film culture /$rZhang Zhen. -$tTechnology's body: cinematic vision in modernity /$rMary Ann Doane. -$tParallax historiography: the flâneuse as cyberfeminist /$rCatherine Russell. |
Local Note |
590
|
|
$aRecommended in Best Books for Academic Libraries ; Resources for College Libraries |
Subj:Topical |
650
|
0 |
$aWomen in motion pictures. |
Subj:Topical |
650
|
0 |
$aWomen in the motion picture industry. |
Subj:Topical |
650
|
0 |
$aFeminism and motion pictures. |
Subj:Topical |
650
|
0 |
$aFeminist film criticism. |
AE:Pers Name |
700
|
1 |
$aBean, Jennifer M.,$d1968- |
AE:Pers Name |
700
|
1 |
$aNegra, Diane,$d1966- |