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Leader |
LDR
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nam a 00 |
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Control # |
1
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hbl99031761 |
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Control # Id |
3
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GCG |
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Date |
5
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20190911110704.0 |
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Fixed Data |
8
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031010s2002 enka b 001 0 eng c |
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LC Card |
10
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$a 2003277384 |
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Cat. Source |
40
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$aUKM$cUKM$dC#P$dSYB$dOCLCQ$dWCM$dUMC$dDLC$dGCG |
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National Bib |
15
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$aGBA2-X9391 |
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ISBN |
20
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$a0631207627 |
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Local Ctrl # |
35
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$a(OCoLC)ocm49552239 |
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Obsolete |
39
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$a243530$cTLC |
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Authen. Ctr. |
42
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$apcc |
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LC Call |
50
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00 |
$aN61$b.C58 2002 |
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Title |
245
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02 |
$aA companion to art theory /$cedited by Paul Smith and Carolyn Wilde. |
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Imprint |
260
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$aOxford ;$aMalden, MA :$bBlackwell,$c2002. |
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Phys Descrpt |
300
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$axix, 529 p. :$bill. ;$c26 cm. |
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Series:Title |
440
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0 |
$aBlackwell companions in cultural studies |
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Note:Bibliog |
504
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$aIncludes bibliographical references and index. |
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Note:Content |
505
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00 |
$gPart. 1.$tTradition and the academy.$tIntroduction: Alberti and the formation of modern art theory /$rCarolyn Wilde --$tClassical concept of minesis /$rGöran Sörbom ;$tMedieval art theory /$rHugh Bredin ;$tNeoplatonist aesthetics /$rSuzanne Stern-Gillet ;$tRenaissance art theories /$rFrancois Quiviger ;$tTouch, tactility, and the reception of sculpture in early modern Italy /$rGeraldine A. Johnson ;$tSpiritual exercises of Leonardo da Vinci /$rRobert Williams ;$tAcademic theory,1550-1800 /$rPaul Duro ;$tRhetorical categories in the academy /$rCaroline van Eck ;$tPicturesque and its development /$rAndrew Ballantyne --$gpt. 2.$tAround modernism.$tAesthetics of Kant and Hegel /$rJason Gaiger ;$tE.H. Gombrich and the tradition of Hegel /$rDavid Summers ;$tGerman romanticism and French aesthetic theory /$rWendy S. Mercer ;$tExpression : natural, personal, pictorial /$rRichard Shiff ;$tReading artists' words /$rRichard Hobbs ;$tNietzsche and the artist /$rMichael White ;$tWittgenstein, description, and Adrian Stokes (on Cézanne) /$rPaul Smith ;$tModernism and the idea of the avant-garde /$rPaul Wood ;$tOn the intention of modern(ist) art /$rFred Orton ;$tAnti-art and the concept of art /$rPaul N. Humble ;$tMarcel Duchamp's readymades and anti-aesthetic reflex /$rDavid Hopkins --$gpt. 3.$tCritical theory and postmodernism.$tMarxism and critical art history /$rDavid Craven ;$tWalter Benjamin and art theory /$rHoward Caygill ;$tBakhtin and the visual arts /$rDeborah J. Haynes ;$tPeirce's visuality and the semiotics of art /$rMichael Leja ;$tConceptual art /$rCharles Harrison ;$tBarthes on art /$rMargaret Iversen ;$tFoucault and art /$rRoy Boyne ;$tDerrida and the Parergon /$rRobin Marriner ;$tWhat consciousness forgets : Lyotard's concept of the sublime /$rRenée van de Vall ;$tDeleuze on Francis Bacon /$rIan Heywood ;$tFeminisms and art theory /$rMarsha Meskimmon ;$tPsycho-phallus (qu'est-ce que c'est?) /$rMignon Nixon --$gpt. 4.$tInterpretation and the institution |
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Note:Content |
505
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$aof art.$tRules of representation /$rJohn Willats ;$tGombrich and psychology /$rRichard Woodfield ;$tHermeneutics and art theory /$rNicholas Davey ;$tReciprocity and reception theory /$rMichael Ann Holly ;$tParadox of creative interpretation in art /$rCarl Hausman ;$tInterdisciplinarity and visual culture /$rCharlotte Klonk ;$tAgainst curatorial imperialism : Merleau-Ponty and the historicity of art /$rPaul Crowther ;$tInstitutional theory of art : theory and antitheory /$rGarry L. Hagberg. |
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Subj:Topical |
650
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0 |
$aArt$xPhilosophy$xHistory. |
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Subj:Topical |
650
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0 |
$aArt criticism$xHistory. |
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Subj:Topical |
650
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0 |
$aAesthetics. |
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AE:Pers Name |
700
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1 |
$aSmith, Paul,$d1956- |
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AE:Pers Name |
700
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1 |
$aWilde, Carolyn,$d1945- |
