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Leader |
LDR
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cam a 00 |
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Control # |
1
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2004002792 |
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Control # Id |
3
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DLC |
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Date |
5
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20200626124538.0 |
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Fixed Data |
8
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040205s2004 njua 000 0 eng |
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LC Card |
10
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$a 2004002792 |
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National Bib |
15
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$aGBA443730$2bnb |
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Tag 16 |
16
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7 |
$a012932803$2Uk |
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ISBN |
20
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$a9780879103057 (pbk.) |
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ISBN |
20
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$a0879103051 |
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Local Ctrl # |
35
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$a(OCoLC)ocm54374732 |
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Obsolete |
39
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$a260758$cTLC |
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Cat. Source |
40
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$aDLC$cDLC$dYDX$dPMC$dBAKER$dBUR$dUKM$dYDXCP$dBUR$dDLC$dGCG |
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Geog. Area |
43
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$an-us--- |
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LC Call |
50
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4 |
$aPN1995.9.F54$bF573 2004 |
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Dewey Class |
82
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00 |
$a791.43/6556$222 |
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Title |
245
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00 |
$aFilm noir reader 4 :$bthe crucial films and themes /$cedited by Alain Silver and James Ursini. |
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Edition |
250
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$a1st limelight ed. |
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Imprint |
260
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$a[Pompton Plains] N.J. :$bLimelight Editions ;$a[Milwauke, Wisc.] :$bDistributed by Hal Leonard,$c2004. |
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Phys Descrpt |
300
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$avii, 326 p. :$bill. ;$c23 cm. |
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Note:Bibliog |
504
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$aIncludes bibliographical references. |
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Note:Content |
505
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00 |
$t"Murder can sometimes smell like honeysuckle" : Billy Wilder's Double indemnity (1944) /$rJames A. Paris --$tFate seeks the loser : Edgar G. Ulmer's Detour (1945) /$rGlenn Erickson --$t"How you fixed for red points?" : anecdote and the World War II home front in The big sleep (1946) /$rKevin Hagopian --$t"Lounge time" reconsidered : spatial discontinuity and temporal contingency in Out of the past (1947) /$rR. Barton Palmer --$tThe unsuspected (1947) and the noir sequence : realism, expressionism, style /$rRobert Porfirio --$tGun crazy (1950) /$rGary Johnson --$tViolently happy : Gun crazy (1950) /$rAdrian Martin --$tThe war of the sexes : men in film noir and D.O.A. (1950) /$rBeverley Carter --$tThe big night (1951) : a naturalist Bildungsroman /$rTony Williams --$tKiss me deadly (1955) : composition and meaning /$rMichael E. Grost --$tCovert narrative strategies to contain and punish women in The big heat (1953) and The big combo (1955) /$rGrant Tracey --$tTouch of evil (1958) and the end of the noir cycle /$rStephen B. Armstrong --$tVoices from the deep : film noir as psychodrama /$rJ.P. Telotte --$tManufacturing heroines : gothic victims and working women in classic noir films /$rSheri Chinen Biesen --$tThe noir style /$rNicolas Saada --$tThe noir-horror of Cat people (1942) /$rEric Somer --$tThe rise and fall of the war noir /$rDaniel M. Hodges --$tThe politics of crime and the crime of politics : post-war noir, the liberal consensus and the Hollywood left /$rReynold Humphries --$tNoir westerns /$rJames Ursini --$tRancho notorious (1952) : noir western in color /$rRobin Wood --$tThe noir title sequence /$rRobert Porfirio --$tIt's deja vous all over again : Double idemnity resonates with Generation X /$rGinny Schwartz --$tThrough the past darkly : noir remakes of the 1980s /$rConstantine Verevis. |
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Subj:Topical |
650
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0 |
$aFilm noir$zUnited States$xHistory and criticism. |
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AE:Pers Name |
700
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1 |
$aSilver, Alain,$d1947- |
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AE:Pers Name |
700
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1 |
$aUrsini, James. |
