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Leader |
LDR
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cam a 00 |
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Control # |
1
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hbl99045021 |
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Control # Id |
3
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GCG |
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Date |
5
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20210630150220.0 |
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Fixed Data |
8
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000425s1999 enka b 001 0 eng d |
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LC Card |
10
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$a 00266343 |
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Local Ctrl # |
35
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$a(OCoLC)ocm40599740 |
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Cat. Source |
40
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$aPSC$cPSC$dUKM$dDLC$dGCG |
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Authen. Ctr. |
42
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$alccopycat |
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National Bib |
15
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$aGB98-84373 |
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ISBN |
20
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$a0415086051 (hbk.) |
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ISBN |
20
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$a041508606X (pbk.) |
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Obsolete |
39
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$a261075$cTLC |
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LC Call |
50
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00 |
$aPN2638.M445$bC65 1999 |
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Title |
245
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00 |
$aCollaborative theatre :$bthe Théâtre du Soleil sourcebook /$ccompiled and edited by David Williams ; new translations by Eric Prenowitz and David Williams. |
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Title:Varint |
246
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30 |
$aThéâtre du Soleil sourcebook |
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Imprint |
260
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$aLondon ;$aNew York :$bRoutledge,$c1999. |
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Phys Descrpt |
300
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$axviii, 258 p. :$bill. ;$c24 cm. |
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Note:Bibliog |
504
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$aIncludes bibliographical references (p. [231]-247) and index. |
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Note:Content |
505
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00 |
$gTowards a popular theatre: 1789 (1970):$t1789 at the Cartoucherie /$rVictoria Nes Kirby --$tSearch for a language /$rEmile Copfermann --$tEqual, but not identical /$rIrving Wardle --$tWhat is the difference? Collective creation and 1789 /$rEmile Copfermann --$tDevising through improvisation: the storming of the Bastille /$rThe Théâtre du Soleil --$tDevising a new scenography for each production /$rGuy-Claude François --$gComedy of our time: L'Age d'Or (1975):$tL'Age d'Or in performance /$rChristopher D. Kirkland --$t'A serene and violent celebration': a statement of intent The Théâtre du Soleil --$tTowards a new form /$rDenis Bablet --$tIndividual and the collective /$rThe editors of Théâtre/Public --$tDevising through improvisation: the construction site /$rSophie Lemasson --$tImprovisation and the mask: from Arlequin to Abdallah /$rPhilippe Caubère --$tFrom mask to character: Salouha /$rLucia Bensasson --$tSociety can be unmasked with a mask /$rErhard Stiefel --$tTranspositions and silhouettes /$rFrom an interview with Françoiss Tournafond by Catherine Mounier --$gAn apprenticeship with Shakespeare: Richard II (1981):$tPerformance as autopsy /$rThe Théâtre du Soleil --$tShakespeare's samurai /$rColette Godard --$tShakespeare is not our contemporary /$rJean-Michel Déprats --$tOf loss and liberation /$rAlfred Simon --$tShakespeare is a masked text /$rJean-Michel Déprats --$tEntire body is a mask /$rOdette Aslan --$tReinventing a true music for theatre /$rThe editors of Fruits -$tOne must try not to lie /$rThe editors of Fruits --$gA modern passion play: L'Indiade (1987): --$tMedusa and the Mother/Bear: the performance text of L'Indiade /$rJudith G. Miller --$tLong passion /$rHélène Cixous --$tAs if there were a limit to history! /$rGilles Costaz --$tBetween poetics and ethics: an epic approach to reality /$rCatherine Anne Franke, Roger Chazal --$tYou must know who we are, and what we believe /$rThe Théâtre du Soleil --$tLesson in theatre: A Mnouchkine workshop at the Soleil /$rJosette Féral --$tBuilding up the muscle of the imagination /$rJosette Féral --$gMyth and the contemporary: Les Atrides (1990-1992):$tÉcriture corporelle and the body politic: Les Atrides /$rSarah Bryant-Bertail --$tSpace of tragedy /$rAlfred Simon --$tCommunion of suffering /$rHélène Cixous --$tArt of the symptom /$rOdette Aslan --$tLeaving room for the others /$rBéatrice Picon-Vallin. |
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Subj:Pers |
600
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10 |
$aMnouchkine, Ariane,$d1938-$xCriticism and interpretation. |
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Subj:Pers |
600
|
10 |
$aMnouchkine, Ariane,$d1938-$vInterviews. |
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Subj:Corp |
610
|
20 |
$aThéâtre du Soleil$xHistory$vSources. |
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Genre/Form |
655
|
7 |
$aInterviews.$2lcgft |
|
AE:Pers Name |
700
|
1 |
$aWilliams, David,$d1957 June 4- |
