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Leader |
LDR
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cam a 00 |
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Control # |
1
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hbl99046633 |
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Control # Id |
3
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GCG |
|
Date |
5
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20220210192002.0 |
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Fixed Data |
8
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010725s2002 caua b 001 0deng |
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LC Card |
10
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$a 2001044408 |
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ISBN |
20
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$a0520232968 (pbk. : alk. paper) |
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ISBN |
20
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$a0520218728 (cloth : alk. paper) |
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Obsolete |
39
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$a266524$cTLC |
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Cat. Source |
40
|
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$aDLC$cDLC$dDLC$dGCG |
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Authen. Ctr. |
42
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$apcc |
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Geog. Area |
43
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$an-us--- |
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LC Call |
50
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00 |
$aML3508$b.P67 2002 |
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Dewey Class |
82
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00 |
$a781.65/089/96073$221 |
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ME:Pers Name |
100
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1 |
$aPorter, Eric$q(Eric C.) |
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Title |
245
|
10 |
$aWhat is this thing called jazz? :$bAfrican American musicians as artists, critics, and activists /$cEric Porter. |
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Imprint |
260
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$aBerkeley, Calif. :$bUniversity of California Press,$cc2002. |
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Phys Descrpt |
300
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$axxi, 404 p. :$bill. ;$c24 cm. |
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Series:Title |
440
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0 |
$aMusic of the African diaspora ;$v6 |
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Note:Bibliog |
504
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$aIncludes bibliographical references (p. 337-382) and index. |
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Note:Content |
505
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0 |
$aA marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon. |
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Local Note |
590
|
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$aRecommended in Resources for College Libraries |
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Subj:Topical |
650
|
0 |
$aAfrican American jazz musicians. |
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Subj:Topical |
650
|
0 |
$aJazz$xHistory and criticism. |
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Subj:Topical |
650
|
0 |
$aAfrican Americans$xIntellectual life$y20th century. |
