|
|
|
|
Leader |
LDR
|
|
cam a 00 |
Control # |
1
|
|
hbl99046668 |
Control # Id |
3
|
|
GCG |
Date |
5
|
|
20221109112952.0 |
Fixed Data |
8
|
|
100308s2010 nyu b 000 0 eng |
LC Card |
10
|
|
$a 2010008153 |
ISBN |
20
|
|
$a9780393066289 (hardcover) |
ISBN |
20
|
|
$a0393066282 (hardcover) |
Local Ctrl # |
35
|
|
$a(OCoLC)ocn466369992 |
Obsolete |
39
|
|
$a266559$cTLC |
Cat. Source |
40
|
|
$aDLC$cDLC$dBTCTA$dCDX$dVKC$dRLS$dYDXCP$dBUR$dC#P$dBWX$dJCX$dVP@$dDPL$dOCLCQ$dMVQ$dDLC$dGCG |
LC Call |
50
|
00 |
$aPR9369.3.G6$bT46 2010 |
Dewey Class |
82
|
00 |
$a828/.914$222 |
ME:Pers Name |
100
|
1 |
$aGordimer, Nadine. |
Title |
245
|
10 |
$aTelling times :$bwriting and living, 1954-2008 /$cNadine Gordimer. |
Edition |
250
|
|
$a1st American ed. |
Imprint |
260
|
|
$aNew York :$bW.W. Norton & Co.,$c2010. |
Phys Descrpt |
300
|
|
$a742 p. ;$c25 cm |
Note:Bibliog |
504
|
|
$aIncludes bibliographical references. |
Note:General |
500
|
|
$aThe first comprehensive collection of Gordimer's nonfiction. |
Note:Content |
505
|
00 |
$gThe 1950s: A$tSouth African childhood: allusions in a landscape$g(1954) --$tHassan in America$g(1955) --$tEgypt revisited$g(1959) --$tChief Luthuli$g(1959) --$tApartheid$g(1959). The 1960s: The$tCongo$g(1961) --$tParty of one$g(1963) --$gA$tBolter and the invincible summer$g(1963) --$tCensored, banned, gagged$g(1963) --$tGreat problems in the street$g(1963) --$tNotes of an expropriator$g(1964) --$tTaking into account: Simone de Beauvoir's Force of circumstance$g(1966) --$tOne man living through it$g(1966) --$tWhy did Bram Fischer choose jail?$g(1966) -- The$tShort story in South Africa$g(1968) --$tMadagascar$g(1969). The 1970s:$tMerci Dieu, it changes: Accra and Abidjan$g(1971) --$tPack up, black man$g(1971) --$tUnchaining poets$g(1972) -- The$tNew black poets$g(1973) -- A$tWriter's freedom$g(1976) --$tEnglish-language literature and politics in South Africa$g(1976) --$tLetter from Soweto$g(1976) --$tWhat being a South African means to me: address at the University of Cape Town$g(1977) --$tTranskei: a vision of two blood-red suns$g(1978) --$tRelevance and commitment$g(1979) --$tPula!: Botswana$g(1979). The 1980s: The$tPrison-house of colonialism: Ruth First's and Ann Scott's Olive Schreiner$g(1980) --$tLetter from the 153rd state$g(1980) -- The$tSouth African censor: no change$g(1981) --$tUnconfessed history: Alan Paton's Ah, but your land is beautiful$g(1982) --$tMysterious incest: Patrick White's Flaws in the grass: a self-portrait$g(1982) -- The$tChild is the man: Wole Soyinka's Aké: the years of childhood$g(1982) --$tLiving in the interregnum$g(1983) -- The$tIdea of gardening: J.M. Coetzee's The life and times of Michael K$g(1984) --$tNew notes from underground: Breyten Breytenbach's Mouroir$g(1984) -- The$tEssential gesture$g(1985) --$tLetter from Johannesburg$g(1985) --$tHuddleston: a sign$g(1988) -- The$tGap between the writer and the reader$g(1989) --$tCensorship--the final solution: the case of Salman Rushdie$g(1989) -- The$tAfrican pot$g(1989) |
Note:Content |
505
|
80 |
$aThe 1990s: A$tWriter's vital gift to a free society: The Satanic verses$g(1990) --$tFreedom struggles out of the chrysalis$g(1990) --$tSorting the images from the man: Nelson Mandela$g(1990) --$tCensorship and its aftermath$g(1990) --$tJoseph Roth: labyrinth of empire and exile$g(1991) --$tTurning the page: African writers on the threshold of the twenty-first century$g(1992) --$tBeyond myth: Mandela's mettle$g(1993) --$tRising to the ballot$g(1994) --$tLetter from South Africa$g(1995) --$tCannes epilogue$g(1995) --$tRemembering Barney Simon$g(1995) --$tOur century$g(1995) -- The$tStatus of the writer in the world today: Which world? Whose world?$g(1997) -- The$tPoor are always with us: the eradication of poverty$g(1997) --$tFrom a correspondence with Kenzaburo Oe$g(1998) --$tOctavio Paz: poet-archer$g(1999) --$tWhen art meets politics$g(1999) -- A$tLetter to future generations$g(1999) --$tFive years into freedom: my new South African identity$g(1999) --$tHemingway's expatriates: a way of looking at the world$g(1999). The 2000s:$tPersonal Proust$g(2000) --$tAfrica's plague, and everyone's$g(2000) --$tWhat news on the Rialto?$g(2001) -- The$tDwelling place of words$g(2001) -- The$tEntitlement approach$g(2001) -- The$tBallad of the Fifth Avenue Hotel$g(2001) --$tChinua Achebe and Things fall apart$g(2002) --$tJoseph Conrad and Almayer's folly$g(2002) -- A$tCoincidence of wills?$g(2003) --$tWitness--past or present?$g(2003) --$tFear eats the soul$g(2003) --$tLiving with a writer$g(2003) --$tEdward Said$g(2003) --$tWith them you never know: Albert Memmi$g(2003) --$tWilliam Plomer and Turbott Wolfe$g(2003) --$tAtlantis$g(2003) --$tThirst$g(2003) --$tQuestions journalists don't ask$g(2003) --$t"To you I can": Gustave Flaubert's November$g(2004) --$tLeo Tolstoy and The death of Ivan Ilyich$g(2005) --$tSusan Sontag$g(2005) --$tHome truths from the past: Machiavelli or Erasmus?$g(2005) --$tWitness: the inward testimony$g(2006) --$tDesmond Tutu as I know him$g(2006) |
Note:Content |
505
|
80 |
$tLust and death: Philip Roth's Everyman$g(2006)$tFaith, reason and war$g(2006) --$tNaguib Mahfouz's Three novels of ancient Egypt$g(2007) --$tExperiencing two absolutes$g(2008) -- The$tLion in literature$g(2006). |
Abstract |
520
|
|
$aA comprehensive collection of the author's nonfiction works ranges from reports on the 1976 Soweto uprising and observations of Zimbabe at the dawn of independence to portraits of such figures as Nelson Mandela and Desmond Tutu. |
Local Note |
590
|
|
$aRecommended in Resources for College Libraries |
Subj:Pers |
600
|
10 |
$aGordimer, Nadine. |
Subj:Topical |
650
|
0 |
$aWomen authors, South African$y20th century$vBiography. |