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Description Field Ind Field Data
Leader LDR nam a 00
Control # 1 hbl99049620
Control # Id 3 GCG
Date 5 20190911110759.0
Fixed Data 8 120213s2010 cc acg b 001 0 eng d
LC Card 10    $a 2011405285
ISBN 20    $a9789629963606
ISBN 20    $a9629963604
Obsolete 39    $a270401$cTLC
Cat. Source 40    $aGCG
LC Call 50 00 $aML336.5$b.L58 2010
ME:Pers Name 100 $aLi, Jingzhi,$d1935-
Title:Ufm 240 10 $aZhongguo xin yin yue shi lun.$lEnglish.
Title 245 12 $aA critical history of new music in China /$cLiu Ching-Chih ; translated by Caroline Mason.
Imprint 260    $aHong Kong :$bChinese University Press,$cc2010.
Phys Descrpt 300    $axxi, 911 p., [24] p. of plates :$bill., music, ports. ;$c24 cm.
Note:Bibliog 504    $aIncludes bibliographical references and index.
Note:Content 505 $aIntroduction: New music in China and its theoretical foundations -- The origins of New Music (1885-1919) the westernization of military music and the birth of schoolsong -- New Music in the May fourth period (1919-1937) -- The mass-singing movement and musical creation during the anti-Japanese period (1937-1945) -- New Music education and creation during the Civil War (1946--1949) and in the seventeen years after the founding of the People's Republic of China (1949-1966) -- Yangbanxi and the music of the Cultural Revolution (1966-1976): revolutionary modern Peking opera, ballet, symphonic music and songs -- Musical creation after the Cultural Revolution and the New Wave music -- New Music and composers in Taiwan, Hing Kong and Macao -- Review and reflection: historical review (1885-1985) and the Sinicisation and modernisation of new music -- New development (1996-2006): mainland China, overseas, Taiwan and Hong Kong.
Abstract 520    $a"With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth-, nineteenth- and early twentieth-century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government."--[book cover]
Note:Lang 546    $aText in English, translated from Chinese.
Subj:Topical 650  0 $aMusic$zChina$y20th century$xHistory and criticism.
Subj:Topical 650  0 $aMusic$xInstruction and study$zChina.
Subj:Topical 650  0 $aMusicians$zChina$xHistory.
AE:Pers Name 700 $aMason, Caroline,$d1949-