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Leader |
LDR
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cam a 00 |
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Control # |
1
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hbl99063655 |
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Control # Id |
3
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GCG |
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Date |
5
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20210608100935.0 |
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Fixed Data |
8
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101228s2011 inua b 001 0 eng |
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LC Card |
10
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$a 2011008988$z 2010054372 |
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ISBN |
20
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$a9780253356260 (hardcopy : alk. paper) |
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Obsolete |
39
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$a291593$cTLC |
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Cat. Source |
40
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$aDLC$cDLC$dDLC$dGCG |
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Authen. Ctr. |
42
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$apcc |
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Geog. Area |
43
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$ae-it--- |
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LC Call |
50
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00 |
$aML1733.4$b.B37 2011 |
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Dewey Class |
82
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00 |
$a782.10945/09034$222 |
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ME:Pers Name |
100
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1 |
$aBaragwanath, Nicholas. |
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Title |
245
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14 |
$aThe Italian traditions & Puccini :$bcompositional theory and practice in nineteenth-century opera /$cNicholas Baragwanath. |
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Title:Varint |
246
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3 |
$aItalian traditions and Puccini |
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Imprint |
260
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$aBloomington :$bIndiana University Press,$cc2011. |
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Phys Descrpt |
300
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$axx, 407 p. :$bill. ;$c24 cm. |
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Series:Diff |
490
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1 |
$aMusical meaning and interpretation |
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Note:Bibliog |
504
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$aIncludes bibliographical references (p. 355-391) and indexes. |
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Note:Content |
505
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0 |
$aMusical traditions in nineteenth-century Italy. The Italian schools -- An introduction to the primary sources -- Puccini and the end of the great tradition -- Studies in Lucca and Milan. Composition as craft -- The Istituto musicale in Lucca -- Scarpia and the Partimento Cadence -- The Conservatorio di Milano -- Lessons in dramatic composition I: Rhythm. Rhythm without measure, accent without beat -- Rules of versification, Lippmann's rhythmic-musical types, and two case studies -- Historical survey of writings on Ritmo -- Short case studies from Bellini and Puccini -- Lessons in dramatic composition II: Harmony and counterpoint. The Partimento 'Tradition' -- Michele Puccini's Corso pratico di contrappunto (1846) -- The Bolognese attachment, or "Little keys for winding clocks" -- Regular motions and melodic composition -- Lessons in dramatic composition III: Affect, imitation, and conduct. Dominant affects and their movements -- Physical and sentimental imitation -- Form and conduct -- Case studies from Verdi, Boito, and Puccini -- Vocalizzi, Solfeggi, and real (or ideal) compositions. Lessons in singing and counterpoint -- Lessons in singing and Solfeggio -- From Solfeggio to ideal composition in Puccini (and Bellini). |
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Local Note |
590
|
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$aRecommended in Resources for College Libraries |
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Subj:Topical |
650
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0 |
$aOpera$zItaly$y19th century. |
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Subj:Pers |
600
|
10 |
$aPuccini, Giacomo$d1858-1924$xCriticism and interpretation. |
|
Subj:Topical |
650
|
0 |
$aMusic theory$zItaly$xHistory$y19th century. |
|
Subj:Topical |
650
|
0 |
$aComposition (Music)$xHistory$y19th century. |
|
Subj:Topical |
650
|
0 |
$aMusic$xInstruction and study$zItaly$xHistory$y19th century. |
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SE:Ufm Title |
830
|
0 |
$aMusical meaning and interpretation. |
