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Description Field Ind Field Data
Leader LDR cam i 00
Control # 1 hbl99069693
Control # Id 3 GCG
Date 5 20231103164144.0
Fixed Data 8 160104s2016 enka b 001 0 eng
LC Card 10    $a 2015042019
ISBN 20    $a9781107086715 (hardback)
ISBN 20    $a9781107451650 (paperback)
Obsolete 39    $a298731$cTLC
Cat. Source 40    $aDLC$beng$cDLC$erda$dDLC$dGCG
Authen. Ctr. 42    $apcc
LC Call 50 00 $aCB353$b.C36 2016
Dewey Class 82 00 $a909.07$223
Title 245 04 $aThe Cambridge Companion to Medievalism /$cedited by Louise D'Arcens, University of Wollongong.
Title:Varint 246 30 $aMedievalism.
Imprint 260    $aCambridge :$bCambridge University Press,$c2016.
Phys Descrpt 300    $axii, 242 pages :$billustrations ;$c23 cm.
Tag 336 336    $atext$2rdacontent
Tag 337 337    $aunmediated$2rdamedia
Tag 338 338    $avolume$2rdacarrier
Series:Diff 490 $aCambridge companions to culture
Note:Bibliog 504    $aIncludes bibliographical references (pages 224-233) and index.
Abstract 520    $a"Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a major presence in the cultural memory of the modern West, and has grown in scale to become a global phenomenon. Countless examples across aesthetic, material and political domains reveal that the medieval period has long provided a fund of images and ideas that have been vital to defining 'the modern'. Bringing together local, national and global examples and tracing medievalism's unpredictable course from early modern poetry to contemporary digital culture, this authoritative Companion offers a panoramic view of the historical, aesthetic, ideological and conceptual dimensions of this phenomenon. It showcases a range of critical positions and approaches to discussing medievalism, from more 'traditional' historicist and close-reading practices through to theoretically engaged methods. It also acquaints readers with key terms and provides them with a sophisticated conceptual vocabulary for discussing the medieval afterlife in the modern"--$cProvided by publisher.
Note:Content 505 $tIntroduction: Medievalism: scope and complexity /$rLouise D'Arcens --$tMedievalism in British poetry /$rChris Jones --$tMedievalism and architecture /$rJohn M. Ganim --$tMedievalism and cinema /$rBettina Bildhauer --$tMusical medievalism and the harmony of the spheres /$rHelen Dell --$tParticipatory medievalism, digital gaming, and role playing /$rDaniel T. Kline --$tEarly modern medievalism /$rMike Rodman Jones --$tRomantic medievalism /$rClare A. Simmons --$tAcademic medievalism and nationalism /$rRichard Utz --$tMedievalism and the ideology of war /$rAndrew Lynch --$tMedievalism in Spanish America after independence /$rNadia Altschul --$tNeomedievalism and international relations /$rBruce Holsinger --$tGlobal medievalism and translation /$rCandace Barrington --$tMedievalism and theories of temporality /$rStephanie Trigg --$tQueer medievalisms: a case study of Monty Python and the Holy Grail /$rTison Pugh.
Local Note 590    $aRecommended in Resources for College Libraries
Subj:Topical 650  0 $aMedievalism.
Subj:Topical 650  0 $aCivilization, Medieval.
Subj:Topical 650  0 $aMedievalism in literature.
Subj:Topical 650  0 $aMedievalism in art.
Subj:Topical 650  0 $aMedievalism$xSocial aspects.
Subj:Topical 650  0 $aMedievalism$xPolitical aspects.
Subj:Topical 650  0 $aMedievalism$xComputer games.
Subj:Topical 650  0 $aMiddle Ages in motion pictures.
AE:Pers Name 700 $aD'Arcens, Louise,$eeditor.