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Leader |
LDR
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cam i 00 |
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Control # |
1
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hbl99073448 |
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Control # Id |
3
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GCG |
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Date |
5
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20190911110911.0 |
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Fixed Data |
8
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151203s2016 mdug b 001 0 eng |
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LC Card |
10
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$a 2015047645 |
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ISBN |
20
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$a9781421420622$qhardcover ;$qalkaline paper |
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ISBN |
20
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$a1421420627 (hardcover : alk. paper) |
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Obsolete |
39
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$a303103$cTLC |
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Cat. Source |
40
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$aDLC$beng$cDLC$erda$dDLC$dGCG |
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Authen. Ctr. |
42
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$apcc |
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LC Call |
50
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00 |
$aML1705$b.M63 2016 |
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Dewey Class |
82
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00 |
$a782.109/04$223 |
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Title |
245
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00 |
$aModernism and opera /$cedited by Richard Begam and Matthew Wilson Smith. |
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Imprint |
260
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$aBaltimore :$bJohns Hopkins University Press,$c2016. |
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Phys Descrpt |
300
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$aviii, 378 pages :$bmusic ;$c24 cm. |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 337 |
337
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$aunmediated$bn$2rdamedia |
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Tag 338 |
338
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$avolume$bnc$2rdacarrier |
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Series:Diff |
490
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1 |
$aHopkins studies in modernism |
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Note:Bibliog |
504
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$aIncludes bibliographical references and index. |
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Note:Content |
505
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0 |
$aLaughing at the redeemer : Kundry and the paradox of Parsifal /$rMatthew Wilson Smith --$tMaeterlinck, Debussy, and modernism / $r Daniel Albright --$tEchoes of the self : cosmic loneliness in Bartâok's Duke Bluebeard's castle /$rKlâara Mâoricz --$tThe great war and its aftermath : Strauss and Hofmannsthal's "third-way modernism" /$rBryan Gilliam --$tAdorno's shifting Wozzeck /$rBernadette Meyler --$tMany modernisms, two Makropulos cases : éCapek, Janâaécek, and the shifting avant-gardes of interwar Prague /$rDerek Katz --$tSchoenberg, modernism, and degeneracy /$rRichard Begam --$tGertrude Stein, minimalism, and modern opera /$rCyrena N. Pondrom --$tStravinsky, Auden, and the midcentury modernism of The rake's progress /$rHerbert Lindenberger --$tGloriana and the new Elizabethan age / $r Irene Morra --$tOne saint in eight tableaux : the untimely modernism of Olivier Messiaen's Saint Franðcois d'Assise /$rLinda Hutcheon and Michael Hutcheon --$tSaariaho's L'amour de loin : modernist opera in the twenty-first century /$rJoy H. Calico. |
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Abstract |
520
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$a"At first glance, modernism and opera may seem like strange bedfellows--the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera."--Book jacket. |
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Subj:Topical |
650
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00 |
$aOpera$y20th century. |
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Subj:Topical |
650
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0 |
$aModernism (Music) |
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AE:Pers Name |
700
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1 |
$aBegam, Richard,$d1950-$eeditor. |
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AE:Pers Name |
700
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1 |
$aSmith, Matthew Wilson,$eeditor. |
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SE:Ufm Title |
830
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0 |
$aHopkins studies in modernism. |
