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nam i a 00 |
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Control # |
1
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CR9781139053884 |
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Control # Id |
3
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UkCbUP |
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Date |
5
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20220201122009.0 |
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Linking |
6
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7
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Fixed Data |
8
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110308s2004||||enk o ||1 0|eng|d |
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ISBN |
20
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$a9781139053884 (ebook) |
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ISBN |
20
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$z9780521820776 (hardback) |
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ISBN |
20
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$z9781107609488 (paperback) |
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Obsolete |
39
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$a315340$cTLC |
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Cat. Source |
40
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$aUkCbUP$beng$erda$cUkCbUP |
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Geog. Area |
43
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$ae-uk--- |
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LC Call |
50
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00 |
$aPR471$b.C36 2004 |
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Dewey Class |
82
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$a820.9/0091$222 |
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Title |
245
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04 |
$aThe Cambridge history of twentieth-century English literature$h[electronic resource] /$cedited by Laura Marcus and Peter Nicholls. |
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Tag 264 |
264
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1 |
$aCambridge :$bCambridge University Press,$c2004. |
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Phys Descrpt |
300
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$a1 online resource (xiv, 886 pages) :$bdigital, PDF file(s). |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 337 |
337
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$acomputer$bc$2rdamedia |
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Tag 338 |
338
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$aonline resource$bcr$2rdacarrier |
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Series:Diff |
490
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1 |
$aThe new Cambridge history of English literature |
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Note:General |
500
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$aTitle from publisher's bibliographic system (viewed on 18 Nov 2015). |
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Note:Content |
505
|
00 |
$tScience and knowledge at the beginning of the twentieth century: versions of the modern Englightenment /$rPatrick Parrinder --$tThe Victorian fin de siècle and decadence /$rRegenia Gagnier --$tEmpire and modern writing /$rElleke Boehmer --$tThe Gender of modernity /$rAnn L. Ardis --$tEdwardians to Georgians /$rRobert L. Caserio --$tThe Avant-garde, bohemia and mainstream culture /$rTyrus Miller --$t'Our London, my London, your London': the Modernist moment in the metropolis /$rPeter Brooker --$tFuturism, literature and the market /$rPaul Edwards --$tLiterature and World War I /$rVincent Sherry --$tTrauma and war memory /$rDeborah Parsons /$tThe Time-mind of the twenties /$rMichael Levenson --$tModern life: fiction and satire /$rDavid Bradshaw --$tModernist poetry and poetics /$rRonald Bush --$tModernity and myth /$rSteven Connor --$tPsychoanalysis and literature /$rLyndsey Stonebridge --$tBiography and autobiography /$rMax Saunders --$t'Speed, violence, women, America': popular fictions /$rDavid Glover --$tTheatre and drama between the wars /$rMaggie B. Gale --$tLiterature and cinema /$rLaura Marcus --$tThe Thirties: politics, authority, perspective /$rRod Mengham --$tLiterary criticism and cultural politics /$rDavid Ayers --$tSurrealism in England /$rPeter Nicholls --$tWorld War II: contested Europe /$rAdam Piette --$tWorld War II: the city in ruins /$rMichael North --$tCulture, class and education /$rKen Hirschkop --$tPost-war broadcast drama /$rKeith Williams --$tDrama and the new theatre companies /$rTrevor R. Griffiths --$tModernism and anti-modernism in British poetry /$rKeith Tuma,$rNate Dorward --$tNation, region, place: devolving cultures /$rMorag Shiach --$tThe Sixties: realism and experiment /$rJohn Lucas --$t'Voyaging in': colonialism and migration /$rSusheila Nasta --$tThe Seventies and the cult of culture /$rTim Armstrong --$tFeminism and writing: the politics of culture /$rPatricia Waugh --$tThe half-lives of literary fictions: genre fictions in the late twentieth century /$rScott McCracken --$tTheatre and politics /$rSimon Shepherd --$tIrish literature: tradition and modernity /$rRonan McDonald --$tScottish literature: second renaissance /$rGerard Carruthers --$tTowards devolution: new Welsh writing /$rJane Aaron --$tBritish-Jewish writing and the turn towards diaspora /$rBryan Cheyette --$tFiction and postmodernity /$rJulian Murphet --$tPostcolonial fictions /$rTim Woods --$tWriting lives /$rAlison Light --$tPoetry after 1970 /$rPeter Middleton --$tEnding the century: literature and digital technology /$rRoger Luckhurst. |
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Abstract |
520
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$aThis Cambridge History is the first major history of twentieth-century English literature to cover the full range of writing in England, Scotland, Wales, and Ireland. The volume also explores the impact of writing from the former colonies on English literature of the period and analyses the ways in which conventional literary genres were shaped and inflected by the new cultural technologies of radio, cinema, and television. In providing an authoritative narrative of literary and cultural production across the century, this History acknowledges the claims for innovation and modernization that chracterise the beginning of the period. At the same time, it attends analytically to the more profound patterns of continuity and development which avant-garde tendencies characteristically underplay. Containing all the virtues of a Cambridge History, this new volume is a major event for anyone concerned with twentieth-century literature, its cultural context, and its relation to the contemporary. |
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Subj:Topical |
650
|
0 |
$aEnglish literature$y20th century$xHistory and criticism. |
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Subj:Geog. |
651
|
0 |
$aGreat Britain$xIntellectual life$y20th century. |
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AE:Pers Name |
700
|
1 |
$aMarcus, Laura,$eeditor. |
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AE:Pers Name |
700
|
1 |
$aNicholls, Peter,$d1950-$eeditor. |
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Host Item |
773
|
0 |
$tBuhl Cambridge eBooks |
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SE:Ufm Title |
830
|
0 |
$aNew Cambridge history of English literature. |
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Elec Loc'n |
856
|
40 |
$uhttps://doi.org/10.1017/CHOL9780521820776$yClick for access to full text electronic version of this title. |
