|
|
|
|
|
Leader |
LDR
|
|
nam i a 00 |
|
Control # |
1
|
|
CR9781139000888 |
|
Control # Id |
3
|
|
UkCbUP |
|
Date |
5
|
|
20190322111524.0 |
|
Linking |
6
|
|
m|||||o||d|||||||| |
|
Phy Descr |
7
|
|
cr|||||||||||| |
|
Fixed Data |
8
|
|
110114s2005||||enk o ||1 0|eng|d |
|
ISBN |
20
|
|
$a9781139000888 (ebook) |
|
ISBN |
20
|
|
$z9780521780094 (hardback) |
|
ISBN |
20
|
|
$z9780521783934 (paperback) |
|
Obsolete |
39
|
|
$a315507$cTLC |
|
Cat. Source |
40
|
|
$aUkCbUP$beng$erda$cUkCbUP |
|
LC Call |
50
|
00 |
$aML1700$b.C17 2005 |
|
Dewey Class |
82
|
00 |
$a782.109/04$222 |
|
Title |
245
|
04 |
$aThe Cambridge companion to twentieth-century opera$h[electronic resource] /$cedited by Mervyn Cooke. |
|
Tag 264 |
264
|
1 |
$aCambridge :$bCambridge University Press,$c2005. |
|
Phys Descrpt |
300
|
|
$a1 online resource (xlvii, 374 pages) :$bdigital, PDF file(s). |
|
Tag 336 |
336
|
|
$atext$btxt$2rdacontent |
|
Tag 337 |
337
|
|
$acomputer$bc$2rdamedia |
|
Tag 338 |
338
|
|
$aonline resource$bcr$2rdacarrier |
|
Series:Diff |
490
|
1 |
$aCambridge companions to music |
|
Note:General |
500
|
|
$aTitle from publisher's bibliographic system (viewed on 09 Nov 2015). |
|
Note:Content |
505
|
00 |
$tOpera in transition /$rArnold Whittall --$tWagner and beyond /$rJohn Deathridge --$tPuccini and the dissolution of the Italian tradition /$rVirgilio Bernardoni --$tWords and actions /$rCaroline Harvey --$tSymbolist opera : trials, triumphs, tributaries /$rPhilip Weller --$tExpression and construction : the stage works of Schoenberg and Berg /$rAlan Street --$tNeo-classical opera /$rChris Walton --$tFrance and the Mediterranean /$rNigel Simeone --$tAustria and Germany, 1918-1960 /$rGuido Heldt --$tEastern Europe /$rRachel Beckles Willson --$tRussian opera : between modernism and romanticism /$rMarina Frolova-Walker --$tAmerican opera : innovation and tradition /$rElise K. Kirk --$tOpera in England : taking the plunge /$rChristopher Mark --$tMusic theatre since the 1960s /$rRobert Adlington --$tMinimalist opera /$rArved Ashby --$tOpera and film /$rMervyn Cooke --$tPopular musical theatre (and film) /$rStephen Banfield --$tOpera in the marketplace /$rNicholas Payne --$tTechnology and interpretation : aspects of 'modernism' /$rTom Sutcliffe. |
|
Abstract |
520
|
|
$aThis Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace. |
|
Subj:Topical |
650
|
0 |
$aOpera$y20th century. |
|
AE:Pers Name |
700
|
1 |
$aCooke, Mervyn,$eeditor. |
|
Host Item |
773
|
0 |
$tBuhl Cambridge eBooks |
|
SE:Ufm Title |
830
|
0 |
$aCambridge companions to music. |
|
Elec Loc'n |
856
|
40 |
$uhttps://doi.org/10.1017/CCOL9780521780094$yClick for access to full text electronic version of this title. |
