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nam i a 00 |
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Control # |
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CR9781139002417 |
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Control # Id |
3
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UkCbUP |
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Date |
5
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20190322111638.0 |
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Linking |
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7
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Fixed Data |
8
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110114s2009||||enk o ||1 0|eng|d |
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ISBN |
20
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$a9781139002417 (ebook) |
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ISBN |
20
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$z9780521886949 (hardback) |
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ISBN |
20
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$z9780521714945 (paperback) |
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Obsolete |
39
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$a315637$cTLC |
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Cat. Source |
40
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$aUkCbUP$beng$erda$cUkCbUP |
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LC Call |
50
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00 |
$aML420.D98$bD48 2009 |
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Dewey Class |
82
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00 |
$a782.42164092$222 |
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Title |
245
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$aThe Cambridge companion to Bob Dylan$h[electronic resource] /$cedited by Kevin J.H. Dettmar. |
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Tag 264 |
264
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1 |
$aCambridge :$bCambridge University Press,$c2009. |
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Phys Descrpt |
300
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$a1 online resource (xviii, 185 pages) :$bdigital, PDF file(s). |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 337 |
337
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$acomputer$bc$2rdamedia |
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Tag 338 |
338
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$aonline resource$bcr$2rdacarrier |
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Series:Diff |
490
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1 |
$aCambridge companions to American studies |
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Note:General |
500
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$aTitle from publisher's bibliographic system (viewed on 09 Nov 2015). |
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Note:Content |
505
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$gIntroduction /$rKevin J.H. Dettmar --$gPart I. Perspectives --$g1.$tBob Dylan and the Anglo-American tradition /$rDavid Yaffe --$g2.$t"Bob Dylan and Rolling Thunder" /$rMichael Denning --$g3.$tBob Dylan as song writer /$rAnthony Decurtis --$g4.$tBob Dylan as performer /$rAlan Light --$g5.$tBob Dylan and collaboration /$rMartin Jacobi --$g6.$tBob Dylan and gender politics /$rBarbara O'Dair --$g7.$tBob Dylan and religion /$rR. Clifton Spargo and Anne K. Ream --$g8.$tBob Dylan and the academy /$rLee Marshall --$g9.$tBob Dylan as cultural icon /$rDavid R. Shumway --$gPart II. Landmark albums --$g10.$tThe freewheelin' Bob Dylan$g(1963) /$rEric Bulson --$g11.$tBringing it all back home$g(1965) /$rJean Tamarin --$g12.$tHighway 61 revisited$g(1965) /$rRobert Polito --$g13.$tBlonde on blonde$g(1966) /$rMichael Coyle and Debra Rae Cohen --$g14.$tThe basement tapes$g(1967; 1975) /$rAlex Abramovich --$g15.$tBlood on the tracks$g(1975) /$rCarrie Brownstein --$g16.$tInfidels$g(1983) /$rJonathan Lethem --$g17.$t"Love and theft"$g(2001) /$rEric Lott. |
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Abstract |
520
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$aA towering figure in American culture and a global twentieth-century icon, Bob Dylan has been at the centre of American life for over forty years. The Cambridge Companion to Bob Dylan brings fresh insights into the imposing range of Dylan's creative output. The first Part approaches Dylan's output thematically, tracing the evolution of Dylan's writing and his engagement with American popular music, religion, politics, fame, and his work as a songwriter and performer. Essays in Part II analyse his landmark albums to examine the consummate artistry of Dylan's most accomplished studio releases. As a writer Dylan has courageously chronicled and interpreted many of the cultural upheavals in America since World War II. This book will be invaluable both as a guide for students of Dylan and twentieth-century culture, and for his fans, providing a set of new perspectives on a much-loved writer and composer. |
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Subj:Pers |
600
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10 |
$aDylan, Bob,$d1941-$xCriticism and interpretation. |
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Subj:Topical |
650
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0 |
$aSingers$zUnited States$vBiography. |
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AE:Pers Name |
700
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1 |
$aDettmar, Kevin J. H.,$d1958-$eeditor. |
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Host Item |
773
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0 |
$tBuhl Cambridge eBooks |
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SE:Ufm Title |
830
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0 |
$aCambridge companions to American studies. |
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Elec Loc'n |
856
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40 |
$uhttps://doi.org/10.1017/CCOL9780521886949$yClick for access to full text electronic version of this title. |
