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Description Field Ind Field Data
Leader LDR cam i 00
Control # 1 hbl99077411
Control # Id 3 GCG
Date 5 20190911110932.0
Fixed Data 8 171004t20182018nyua g bc 001 0 eng d
ISBN 20    $a9780300233537$q(paperback)
ISBN 20    $a0300233531$q(paperback)
Stock No. 37    $a14844.961
Obsolete 39    $a316736$cTLC
Cat. Source 40    $aYDX$beng$erda$cYDX$dAMH$dTYC$dBRL$dCDX$dKSU$dUtOrBLW
Languages 41 $aeng
Geog. Area 43    $an-us---
LC Call 50  4 $aND237.C6$bA4 2018
Dewey Class 82 04 $a759.13$223
ME:Pers Name 100 $aBarringer, T. J.$eauthor.
Title 245 10 $aPicturesque and sublime :$bThomas Cole's trans-Atlantic inheritance /$cTim Barringer, Gillian Forrester, Sophie Lynford, Jennifer Raab, and Nicholas Robbins.
Tag 264 264  1 $aCatskill, New York :$bThomas Cole National Historic Site ;$aNew Haven, Connecticut :$bin association with Yale University Press,$c[2018]
Tag 264 264  4 $cÃ2018.
Phys Descrpt 300    $ax, 179 pages :$billustrations (some color) ;$c28 cm
Tag 336 336    $atext$btxt$2rdacontent
Tag 336 336    $astill image$bsti$2rdacontent
Tag 337 337    $aunmediated$bn$2rdamedia
Tag 338 338    $avolume$bnc$2rdacarrier
Note:General 500    $aCatalogue of an exhibition of the same name held at Thomas Cole National Historic Site in Catskill, New York from May 1 to November 4, 2018.
Note:General 500    $aPublished with assistance from the Willow Springs Charitable Trust and Furthermore: a program of the J.M. Kaplan Fund, on the occasion of the exhibition Picturesque and Sublime: Thomas Cole's Trans-Atlantic Inheritance, organized by the Thomas Cole National Historic Site.
Abstract 520    $aThomas Cole (1801-1848) is widely acknowledged as the founder of American landscape painting. Born in England, Cole emigrated in 1818 to the United States, where he transformed British and continental European traditions to create a distinctive American idiom. He embraced the picturesque, which emphasized touristic pleasures, and the sublime, an aesthetic category rooted in notions of fear and danger. Including striking paintings and a broad range of works on paper, from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, this book explores the trans-Atlantic context for Cole's oeuvre. These works chart a history of landscape aesthetics and demonstrate the essential role of prints as agents of artistic transmission. The authors offer new interpretations of work by Cole and the British artists who influenced him, including J.M.W. Turner and John Constable, revealing Cole's debt to artistic traditions as he formulated a profound new category in art. the American sublime.
Note:Bibliog 504    $aIncludes bibliographical references (pages 171-173) and index.
Note:Content 505 00 $tAn Inheritance in Print: Thomas Cole and the Aesthetics of Landscape /$rTim Barringer and Jennifer Raab --$tWorking Papers: Thomas Cole's Early Drawings and Notebooks /$rNicholas Robbins --$tIdyllic and Industrial Visions: Thomas Cole, William Guy Wall, and the Hudson River /$rSophie Lynfold /$tCatalogue /$tOrigins /$tPicturesque /$tSublime /$tTrans-Atlantic Inheritance.
Subj:Pers 600 10 $aCole, Thomas,$d1801-1848$vExhibitions.
Subj:Pers 600 10 $aCole, Thomas,$d1801-1848$xCriticism and interpretation.
Subj:Pers 600 10 $aCole, Thomas,$d1801-1848$xThemes, motives.
Subj:Topical 650  0 $aPainting, American$y19th century$vExhibitions.
Subj:Topical 650  0 $aHudson River school of landscape painting$vExhibitions.
Subj:Topical 650  0 $aLandscape painting$zUnited States$y19th century$vExhibitions.
Subj:Topical 650  0 $aLandscapes in art$y19th century.
Genre/Form 655  7 $aExhibition catalogs.$2lcgft
AE:Pers Name 700 $aForrester, Gillian,$eauthor.
AE:Pers Name 700 $aLynford, Sophie,$eauthor.
AE:Pers Name 700 $aRaab, Jennifer,$eauthor.
AE:Pers Name 700 $aRobbins, Nicholas,$eauthor.
AE:Pers Name 700 12 $aCole, Thomas,$d1801-1848$tPaintings.$kSelections.
AE:Corp Name 710 $aThomas Cole National Historic Site,$eissuing body,$epublisher,$eorganizer,$ehost institution.
AE:Corp Name 710 $aYale University Press,$epublisher.