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Leader |
LDR
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cam i 00 |
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Control # |
1
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hbl99077412 |
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Control # Id |
3
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GCG |
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Date |
5
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20190911110932.0 |
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Fixed Data |
8
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171017t20182018nyuac bc 001 0 eng c |
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LC Card |
10
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$a2017958128 |
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Tag 19 |
19
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$a1007090748$a1026337202 |
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ISBN |
20
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$a9780500480304 |
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ISBN |
20
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$a0500480303 |
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Local Ctrl # |
35
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$a(OCoLC)1029097859 |
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Stock No. |
37
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$a38634 |
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Obsolete |
39
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$a316737$cTLC |
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Cat. Source |
40
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$aUEJ$beng$erda$cUEJ$dCDX$dLND$dAVA$dL2U$dQGJ$dNZAUC$dOCLCO$dOCLCF$dBKL$dBTS$dUBY$dWLU$dERASA$dYDX$dFDA$dZCU$dSNN$dDXU$dU3W$dIXA$dCNNGC$dBP1$dPAU$dUKMGB$dIBK$dOCLCO$dAZZPT$dOCLCO |
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Geog. Area |
43
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$ae-gr--- |
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LC Call |
50
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4 |
$aNB553.R7$bA4 2018 |
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Subj Categor |
72
|
7 |
$aART$2ukslc |
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Dewey Class |
82
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04 |
$a730.92$223 |
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ME:Pers Name |
100
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1 |
$aRodin, Auguste,$d1840-1917,$eartist. |
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Title:Ufm |
240
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10 |
$aWorks.$kSelections. |
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Title |
245
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10 |
$aRodin and the art of ancient Greece /$cCeleste Farge, Bénédicte Garnier and Ian Jenkins. |
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Tag 264 |
264
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1 |
$aLondon :$bThames & Hudson :$bThe British Museum,$c[2018] |
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Tag 264 |
264
|
4 |
$cÃ2018. |
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Phys Descrpt |
300
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$a240 pages :$billustrations (some color), portraits ;$c29 cm |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 336 |
336
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$astill image$bsti$2rdacontent |
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Tag 337 |
337
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$aunmediated$bn$2rdamedia |
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Tag 338 |
338
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$avolume$bnc$2rdacarrier |
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Note:General |
500
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$aPublished to accompany the exhibition of the same name held at the British Museum, April 26-July 29, 2018. |
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Note:General |
500
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$a"Organized with the Musée Rodin, Paris." |
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Note:Bibliog |
504
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$aIncludes bibliographical references (pages 223-227) and indexes. |
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Abstract |
520
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$aRodin, famous for 'The thinker' and 'The kiss', was captivated by the sculptures of Classical antiquity and he constantly reworked and assimilated the forms of ancient Greek and Roman art in his own work. Rodin visited the British Museum for the first time in the summer of 1881 and there greatly admired the sculptures of the Parthenon. Before he saw the originals, he was already acquainted with plaster casts of them displayed in the École des Beaux-Arts, Paris. The Parthenon sculptures continued to be a major influence on his own work and he visited them frequently on his return visits to London. He also amassed a huge collection of fragments of ancient sculpture that served as a source of inspiration. |
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Note:Content |
505
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00 |
$gIntroduction /$rHartwig Fischer --$tThe French romance for Greek marbles /$rCeleste Farge and Ian Jenkins --$t'My dream as a sculptor' - The thousand parthenons of Auguste Rodin /$rBénédicte Garnier --$tThe British Museum : A temple of the muses -- Rodin's Parthenon -- Art and nature -- The monument -- Emotion -- Motion -- Chronology of Auguste Rodin. |
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Subj:Pers |
600
|
10 |
$aRodin, Auguste,$d1840-1917$vExhibitions. |
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Subj:Topical |
650
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0 |
$aArt, Greek$xInfluence. |
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Subj:Geog. |
651
|
0 |
$aGreece$xAntiquities. |
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Genre/Form |
655
|
7 |
$aExhibition catalogs.$2lcgft |
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AE:Pers Name |
700
|
1 |
$aFarge, Celeste,$eauthor. |
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AE:Pers Name |
700
|
1 |
$aGarnier, Bénédicte,$eauthor. |
|
AE:Pers Name |
700
|
1 |
$aJenkins, Ian$q(Ian Dennis)$eauthor. |
|
AE:Corp Name |
710
|
2 |
$aBritish Museum,$ehost institution. |
|
AE:Corp Name |
710
|
2 |
$aMusée Rodin,$eorganizer. |
