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Leader |
LDR
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cam i 00 |
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Control # |
1
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2017035987 |
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Control # Id |
3
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DLC |
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Date |
5
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20240429140039.0 |
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Fixed Data |
8
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170906s2018 ncua b 001 0 eng c |
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LC Card |
10
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$a 2017035987 |
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ISBN |
20
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$a9780822369875$q(hardcover : alk. paper) |
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ISBN |
20
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$a9780822369905$q(pbk. : alk. paper) |
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Obsolete |
39
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$a316803$cTLC |
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Cat. Source |
40
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$aNcD/DLC$beng$cNcD$erda$dDLC |
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Authen. Ctr. |
42
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$apcc |
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Geog. Area |
43
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$acl----- |
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LC Call |
50
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00 |
$aML3918.J39$bB67 2018 |
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Dewey Class |
82
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00 |
$a306.4/8425098$223 |
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ME:Pers Name |
100
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1 |
$aBorge, Jason,$d1965-$eauthor. |
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Title |
245
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10 |
$aTropical riffs :$bLatin America and the politics of jazz /$cJason Borge. |
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Tag 264 |
264
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1 |
$aDurham :$bDuke University Press,$c2018. |
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Phys Descrpt |
300
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$aix, 266 pages :$billustrations ;$c24 cm |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 337 |
337
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$aunmediated$bn$2rdamedia |
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Tag 338 |
338
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$avolume$bnc$2rdacarrier |
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Note:Bibliog |
504
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$aIncludes bibliographical references (pages 237-259) and index. |
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Note:Content |
505
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0 |
$aKindred sounds and Latin cats -- La civilizada selva : Latin America and the Jazz Age -- Dark pursuits : Argentina, race, and jazz -- The anxiety of Americanization : jazz, samba, and bossa nova -- The hazards of hybridity : Afro-Cuban jazz, mambo, and revolution -- Liberation, disenchantment, and the afterlives of jazz -- The cruelty of jazz. |
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Abstract |
520
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$a"In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals -- who often understood jazz to stem from social conditions similar to their own -- the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina, jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Damaso Perez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea." --Publisher's description. |
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Local Note |
590
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$aRecommended in Resources for College Libraries. |
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Subj:Topical |
650
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0 |
$aJazz$xSocial aspects$zLatin America. |
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Subj:Topical |
650
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0 |
$aJazz$zLatin America$y20th century$xHistory and criticism. |
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Subj:Topical |
650
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0 |
$aJazz$zLatin America$xHistory$y20th century. |
