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Leader |
LDR
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nam i 00 |
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Control # |
1
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2019285116 |
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Control # Id |
3
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DLC |
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Date |
5
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20200218145702.0 |
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Fixed Data |
8
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190607t20192019txuaceof bc 000 0deng d |
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LC Card |
10
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$a 2019285116 |
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ISBN |
20
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$a0300243251$q(hardcover) |
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ISBN |
20
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$a9780300243253$q(hardcover) |
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ISBN |
20
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$a9780912804569$q(softcover) |
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ISBN |
20
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$a0912804564$q(softcover) |
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Local Ctrl # |
35
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$a(OCoLC)on1046472365 |
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Obsolete |
39
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$a322252$cTLC |
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Cat. Source |
40
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$aYDX$beng$cYDX$erda$dOCLCQ$dERASA$dYUS$dOCLCO$dWW9$dYDX$dOCLCO$dCDX$dBDX$dSFR$dPAU$dOCLCO$dINU$dVOD$dOCLCO$dOCLCF$dFDA$dEAU$dSTF$dZCU$dVT2$dOCLCO$dPUL$dBRL$dMNU$dOCLCO$dTOH$dOCLCO$dDLC |
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Languages |
41
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0 |
$aeng |
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Authen. Ctr. |
42
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$alccopycat |
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Geog. Area |
43
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$ae-fr--- |
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LC Call |
50
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00 |
$aND553.M7$bA4 2019 |
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Dewey Class |
82
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04 |
$a709.944$223 |
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Dewey Class |
82
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04 |
$a759.4$223 |
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ME:Pers Name |
100
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1 |
$aShackelford, George T. M.,$d1955-$eauthor. |
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Title |
245
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10 |
$aMonet :$bthe late years /$cGeorge T.M. Shackelford ; with essays by Claire M. Barry, Simon Kelly, Emma Cauvin, Marianne Mathieu. |
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Tag 264 |
264
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1 |
$aFort Worth, Texas :$bKimbell Art Museum ;$aSan Francisco, California :$bFine Arts Museums of San Francisco,$c[2019] |
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Tag 264 |
264
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2 |
$aNew Haven, Connecticut :$bDistributed by Yale University Press,$c[2019] |
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Tag 264 |
264
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4 |
$cÃ2019 |
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Phys Descrpt |
300
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$a214 pages :$billustrations (chiefly color), photographs, plans, portraits ;$c29 cm |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 336 |
336
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$astill image$bsti$2rdacontent |
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Tag 337 |
337
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$aunmediated$bn$2rdamedia |
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Tag 338 |
338
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$avolume$bnc$2rdacarrier |
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Note:General |
500
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$aCatalog of an exhibition at Fine Arts Museums of San Francisco, February 16--May 27, 2019; and Kimbell Art Museum, Fort Worth, Texas, June 16--September 15, 2019. |
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Note:Bibliog |
504
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$aIncludes bibliographical references (pages 208-209). |
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Abstract |
520
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$a"In the later years of his life, Claude Monet (1840-1926) stayed close to home, turning to his extraordinary garden at Giverny for inspiration. The garden became a laboratory for the artist's concentrated study of natural phenomena-and for a revolutionary shift in the appearance and execution of his paintings. This beautiful publication examines the last phase of Monet's career, beginning in 1913, bringing together approximately 60 of his greatest works from this period. More specifically, Monet: The Late Years focuses on the series that Monet invented and reinvented at Giverny, reevaluating many large-scale works that have long been considered preparatory studies, reexamining their relationship to and status as finished works. Essays by a roster of distinguished scholars address topics such as Monet's plans for displaying his late paintings, the mechanics of his painting technique, and the critical and market reception of these works. Through this visually stunning reassessment, Monet's late works, still astonishing a century later, recast the titan of Impressionism as a radical modern painter."$c--publisher's description, dust jacket. |
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Note:Content |
505
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00 |
$tIntroduction: The reinvention of Monet /$rGeorge T. M. Shackelford --$t"Color is my day-long obsession": Monet's late painting materials and techniques, 1914-1926 /$rClaire M. Barry --$t"My four best series": Monet's panorama at the Hôtel Biron /$rSimon Kelly --$tThe late Monet and his critics: Water Lilies, "Cunning mirrors on paradise" /$rEmma Cauvin --$tThe Grandes Décorations from Claude to Michel Monet (1914-1966) /$rMarianne Mathieu --$tClaude Monet: a summary chronology, 1909-1926 /$rGeorge T. M. Shackelford --$gCatalogue /$rGeorge T. M. Shackelford. |
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Subj:Pers |
600
|
10 |
$aMonet, Claude$d1840-1926$vExhibitions. |
|
Subj:Pers |
600
|
10 |
$aMonet, Claude,$d1840-1926$xLast years$vExhibitions. |
|
Subj:Pers |
600
|
10 |
$aMonet, Claude,$d1840-1926$xLast years$xCriticism and interpretation. |
|
Subj:Pers |
600
|
10 |
$aMonet, Claude,$d1840-1926$xLast years$xThemes, motives. |
|
Subj:Topical |
650
|
0 |
$aGardens in art$vExhibitions. |
|
Subj:Topical |
650
|
0 |
$aImpressionism (Art)$zFrance$vExhibitions. |
|
Subj:Topical |
650
|
0 |
$aPainting, French$y20th century$vExhibitions. |
|
Subj:Topical |
650
|
0 |
$aPainting, French$y19th century$vExhibitions. |
|
Subj:Topical |
650
|
0 |
$aMale artists$zFrance$y20th century$vExhibitions. |
|
Subj:Topical |
650
|
0 |
$aMale artists$zFrance$y19th century$vExhibitions. |
|
Subj:Geog. |
651
|
0 |
$aGiverny (France)$vIn art. |
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Genre/Form |
655
|
7 |
$aExhibition catalogs.$2lcgft |
|
AE:Pers Name |
700
|
1 |
$aBarry, Claire M.$eauthor. |
|
AE:Pers Name |
700
|
1 |
$aKelly, Simon$q(Simon R.)$eauthor. |
|
AE:Pers Name |
700
|
1 |
$aCauvin, Emma,$eauthor. |
|
AE:Pers Name |
700
|
1 |
$aMathieu, Marianne,$eauthor. |
|
AE:Pers Name |
700
|
12 |
$aMonet, Claude,$d1840-1926.$eartist.$tPaintings.$kSelections. |
|
AE:Corp Name |
710
|
2 |
$aFine Arts Museums of San Francisco,$eissuing body,$epublisher,$eorganizer,$ehost institution. |
|
AE:Corp Name |
710
|
2 |
$aKimbell Art Museum,$eissuing body,$epublisher,$eorganizer,$ehost institution. |
|
AE:Corp Name |
710
|
2 |
$aYale University Press,$edistributor. |
