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CR9781108348447 |
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UkCbUP |
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20200608103700.0 |
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$a9781108348447 (ebook) |
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$z9781108425483 (hardback) |
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$z9781108442398 (paperback) |
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$a322986$cTLC |
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$aUkCbUP$beng$erda$cUkCbUP |
Title |
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$aThe Cambridge Companion to International Theatre Festivals$h[electronic resource] /$cedited by Ric Knowles. |
Tag 264 |
264
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$aCambridge :$bCambridge University Press,$c2020. |
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$a1 online resource (368 pages) :$bdigital, PDF file(s). |
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$atext$btxt$2rdacontent |
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$acomputer$bc$2rdamedia |
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$aonline resource$bcr$2rdacarrier |
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490
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$aCambridge Companions to Literature |
Note:General |
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$aTitle from publisher's bibliographic system (viewed on 05 Jun 2020). |
Abstract |
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$aThe global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange. |
AE:Pers Name |
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$aKnowles, Ric,$eeditor. |
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$tBuhl Cambridge eBooks |
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$aCambridge companions to literature. |
Elec Loc'n |
856
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40 |
$uhttps://doi.org/10.1017/9781108348447$yClick for access to full text electronic version of this title. |