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Leader |
LDR
|
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cam i 00 |
|
Control # |
1
|
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hbl99079834 |
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Control # Id |
3
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GCG |
|
Date |
5
|
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20211105133549.0 |
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Fixed Data |
8
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190704s2020 enkab bk 001 0 eng c |
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Tag 19 |
19
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$a1084496206$a1084676976$a1204530009 |
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ISBN |
20
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$a9780198829140$qpaperback |
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ISBN |
20
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$a0198829140$qpaperback |
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Local Ctrl # |
35
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$a(OCoLC)1108706251$z(OCoLC)1084496206$z(OCoLC)1084676976$z(OCoLC)1204530009 |
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Obsolete |
39
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$a328722$cTLC |
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Cat. Source |
40
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|
$aUKMGB$beng$erda$cUKMGB$dYDX$dOCLCF$dOCLCO$dOCLCQ$dYDX$dOCLCO$dVP@$dEAU$dOCL$dNYP$dMUU$dCNTAB$dOBE |
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Authen. Ctr. |
42
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$apcc |
|
LC Call |
50
|
4 |
$aML3470$b.B68 2020 |
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Dewey Class |
82
|
04 |
$a780.9$223 |
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ME:Pers Name |
100
|
1 |
$aBohlman, Philip V.,$d1952-$eauthor. |
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Title |
245
|
10 |
$aWorld music :$ba very short introduction /$cPhilip V. Bohlman. |
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Edition |
250
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$aSecond edition. |
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Tag 264 |
264
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1 |
$aOxford, United Kingdom :$bOxford University Press,$c2020. |
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Phys Descrpt |
300
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$axxvii, 157 pages :$billustrations, maps ;$c18 cm. |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 337 |
337
|
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$aunmediated$bn$2rdamedia |
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Tag 338 |
338
|
|
$avolume$bnc$2rdacarrier |
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Series:Diff |
490
|
1 |
$aVery short introductions ;$v65 |
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Note:Bibliog |
504
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$aIncludes bibliographical references (pages 133-140), discography (pages 141-143) and index. |
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Note:Content |
505
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0 |
$aIn the beginning: myth and meaning in world music -- The West and the world -- Between myth and history -- Music of the folk -- Music of the nations -- Diaspora -- Empire, decoloniality, and the globalization of world music -- World music matters. |
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Abstract |
520
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$aThe term "world music" encompasses both folk and popular music across the globe, as well as the sounds of cultural encounter and diversity, sacred voices raised in worship, local sounds, and universal values. It emerged as an invention of the West from encounters with other cultures, and holds the power to evoke the exotic and give voice to the voiceless. Today, in both sound and material it has a greater presence in human societies than ever before. The politics of which world music are a part - globalization, cosmopolitanism, and nationalism - play an increasingly direct role in societies throughout the world, but are at the same time also becoming increasingly controversial. In this new edition of his Very Short Introduction, Philip Bohlman considers questions of meaning and technology in world music, and responds to the dramatically changing political world in which people produce and listen to world music. He also addresses the different ways in which world music is created, disseminated, and consumed, as the full reach of the internet and technologies that store and spread music through the exchange of data files spark a revolution in the production and availability of world music. Finally, Bohlman revises the way we think of the musician, as an increasingly mobile individual, sometimes because physical borders have fallen away, at other times because they are closing. |
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Subj:Topical |
650
|
0 |
$aWorld music. |
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Subj:Topical |
650
|
0 |
$aWorld music$xAnalysis, appreciation. |
|
Subj:Topical |
650
|
0 |
$aWorld music$xHistory and criticism. |
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SE:Ufm Title |
830
|
0 |
$aVery short introductions. |
