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Description Field Ind Field Data
Leader LDR cam i 00
Control # 1 hbl99079978
Control # Id 3 GCG
Date 5 20220124093444.0
Fixed Data 8 210513s2021 txua bc a 1 0 eng d
LC Card 10    $a
Tag 19 19    $a1243264096
ISBN 20    $a9780300260076$qhardcover
ISBN 20    $a0300260075$qhardcover
Local Ctrl # 35    $a(OCoLC)1263790143$z(OCoLC)1243264096
Obsolete 39    $a329267$cTLC
Cat. Source 40    $aUKMGB$beng$erda$cUKMGB$dOCLCO$dBDX$dOCLCF$dYDX$dERASA$dGZM
LC Call 50  4 $aND653.G7$bA42 2021
Title 245 00 $aVan Gogh and the olive groves /$cedited by Nienke Bakker, Nicole R. Myers ; with essays by Nienke Bakker, Teio Meedendorp, Nicole R. Myers, Kathrin Pilz and Muriel Geldof, Louis van Tilborgh.
Tag 264 264  1 $aDallas, Texas :$bDallas Museum of Art,$c[2021]
Tag 264 264  4 $cÃ2021
Tag 264 264  2 $aNew Haven, Connecticut :$bYale University Press
Phys Descrpt 300    $a215 pages :$billustrations (chiefly color) ;$c28 cm
Tag 336 336    $atext$btxt$2rdacontent
Tag 336 336    $astill image$bsti$2rdacontent
Tag 337 337    $aunmediated$bn$2rdamedia
Tag 338 338    $avolume$bnc$2rdacarrier
Note:Content 505 $aBetween hope and agony: Van Gogh at the asylum / Nienke Bakker -- The olive groves in Saint-Rémy-de-Provence / Teio Meedendorp -- Symbolism and seriality: Van Gogh and the olive groves / Nicole R. Myers -- Van Gogh, olive trees, and his search for what turned out to be a modern pastoral / Louis van Tilborgh -- Creating olive groves in Saint-Rémy: a comparative study of Van Gogh's painting technique and materials / Kathrin Pilz and Muriel Geldof -- Catalogue: Olive grove series ; additional works in the exhibition.
Note:General 500    $aExhibition at Dallas Museum of Art, Dallas, Texas October 17, 2021-February 6, 2022 and Van Gogh Museum, Amsterdam, March 11-June 12, 2022.
Note:Bibliog 504    $aIncludes bibliographical references (pages 201-207) and index.
Abstract 520    $a"Van Gogh and the Olive Groves' reunites for the first time the important series of paintings that Vincent van Gogh (1853-90) dedicated to the motif of olive trees during his stay at the asylum of Saint-Remy-de-Provence. The book contextualizes this work within Van Gogh's artistic production and explores its deeply personal, often religious resonance. It also features in-depth findings on the artist's technique, materials, and palette resulting from a three-year cross-disciplinary conservation science research project that rigorously examined all 15 paintings. Of particular interest are new discoveries concerning Van Gogh's use of unstable pigments, his application of paint en plein air versus in the studio, and the chronology of the series. Produced between June and December 1889, this bold and highly experimental series employs the motif as a constant in the artist's passionate investigation of the expressive powers of color, line, and subject. Painting the olive trees at different times of day and in different seasons was a quest to unlock their quintessential features, which to him represented the spirit of Provence." --$cprovided by publisher.
Subj:Pers 600 10 $aGogh, Vincent van$d1853-1890$vExhibitions.
Subj:Topical 650  0 $aTrees in art$vExhibitions.
Subj:Topical 650  0 $aOlive in art$vExhibitions.
Genre/Form 655  7 $aExhibition catalogs.$2lcgft
AE:Pers Name 700 12 $aGogh, Vincent van,$d1853-1890.$tWorks.$kSelections.
AE:Pers Name 700 $aBakker, Nienke,$d1972-$eeditor.
AE:Pers Name 700 $aMyers, Nicole R.$eeditor.
AE:Corp Name 710 $aDallas Museum of Art,$ehost institution.
AE:Corp Name 710 $aRijksmuseum Vincent van Gogh,$ehost institution.