|
|
|
|
|
Leader |
LDR
|
|
nam i 00 |
|
Control # |
1
|
|
CR9781108989541 |
|
Control # Id |
3
|
|
UkCbUP |
|
Date |
5
|
|
20220624134037.0 |
|
Linking |
6
|
|
m|||||o||d|||||||| |
|
Phy Descr |
7
|
|
cr|||||||||||| |
|
Fixed Data |
8
|
|
200917s2022||||enk o ||1 0|eng|d |
|
ISBN |
20
|
|
$a9781108989541 (ebook) |
|
ISBN |
20
|
|
$z9781108839204 (hardback) |
|
ISBN |
20
|
|
$z9781108984584 (paperback) |
|
Obsolete |
39
|
|
$a331113$cTLC |
|
Cat. Source |
40
|
|
$aUkCbUP$beng$erda$cUkCbUP |
|
LC Call |
50
|
00 |
$aPR468.M857$bR53 2022 |
|
Dewey Class |
82
|
00 |
$a820.9/357808664$223/eng/20220207 |
|
ME:Pers Name |
100
|
1 |
$aRiddell, Fraser,$d1987-$eauthor. |
|
Title |
245
|
10 |
$aMusic and the queer body in English literature at the fin de siècle$h[electronic resource] /$cFraser Riddell. |
|
Tag 264 |
264
|
1 |
$aCambridge :$bCambridge University Press,$c2022. |
|
Phys Descrpt |
300
|
|
$a1 online resource (ix, 277 pages) :$bdigital, PDF file(s). |
|
Tag 336 |
336
|
|
$atext$btxt$2rdacontent |
|
Tag 337 |
337
|
|
$acomputer$bc$2rdamedia |
|
Tag 338 |
338
|
|
$aonline resource$bcr$2rdacarrier |
|
Series:Diff |
490
|
1 |
$aCambridge studies in nineteenth-century literature and culture ;$v137 |
|
Note:General |
500
|
|
$aOpen Access. |
|
Note:General |
500
|
|
$aTitle from publisher's bibliographic system (viewed on 07 Apr 2022). |
|
Note:Content |
505
|
0 |
$aMusic, emotion and the homosexual subject -- Flesh : music, masochism, queerness -- Voice : disembodiment and desire -- Touch : transmission, contact, connection -- Time : backwards listening. |
|
Abstract |
520
|
|
$aDrawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core. |
|
Subj:Topical |
650
|
0 |
$aEnglish literature$y19th century$xHistory and criticism. |
|
Subj:Topical |
650
|
0 |
$aEnglish literature$y20th century$xHistory and criticism. |
|
Subj:Topical |
650
|
0 |
$aMusic in literature. |
|
Subj:Topical |
650
|
0 |
$aHomosexuality in literature. |
|
Subj:Topical |
650
|
0 |
$aHuman body in literature. |
|
Subj:Topical |
650
|
0 |
$aMusic and literature. |
|
Subj:Topical |
650
|
0 |
$aHomosexuality and literature. |
|
Subj:Topical |
650
|
0 |
$aHomosexuality and music. |
|
Subj:Topical |
650
|
0 |
$aMusic$xPhysiological effect. |
|
Subj:Topical |
650
|
0 |
$aQueer theory. |
|
Host Item |
773
|
0 |
$tBuhl Cambridge eBooks |
|
Host Item |
773
|
0 |
$tBuhl free eBooks |
|
SE:Ufm Title |
830
|
0 |
$aCambridge studies in nineteenth-century literature and culture$v137. |
|
Elec Loc'n |
856
|
40 |
$uhttps://doi.org/10.1017/9781108989541$yClick for access to full text electronic version of this title. |
