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Leader |
LDR
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pam i 00 |
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Control # |
1
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2022018125 |
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Control # Id |
3
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DLC |
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Date |
5
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20230222100830.0 |
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Fixed Data |
8
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220415s2022 iluab b 001 0 eng |
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LC Card |
10
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$a 2022018125 |
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ISBN |
20
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$a9780226823089$q(cloth) |
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ISBN |
20
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$z9780226823096$q(ebook) |
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Obsolete |
39
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$a333234$cTLC |
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Cat. Source |
40
|
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$aICU/DLC$beng$erda$cDLC |
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Authen. Ctr. |
42
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$apcc |
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Geog. Area |
43
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$an-us-la |
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LC Call |
50
|
00 |
$aML1711.8.N25$bB48 2022 |
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Dewey Class |
82
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00 |
$a782.1/40976335$223/eng/20220427 |
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Other Call # |
84
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$aMUS020000$aHIS036120$2bisacsh |
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ME:Pers Name |
100
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1 |
$aBentley, Charlotte$c(Musicologist)$eauthor. |
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Title |
245
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10 |
$aNew Orleans and the creation of transatlantic opera, 1819-1859 /$cCharlotte Bentley. |
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Tag 264 |
264
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1 |
$aChicago :$bThe University of Chicago Press,$c2022. |
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Phys Descrpt |
300
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$a256 pages :$billustrations, maps ;$c24 cm |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 337 |
337
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$aunmediated$bn$2rdamedia |
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Tag 338 |
338
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$avolume$bnc$2rdacarrier |
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Series:Diff |
490
|
1 |
$aOpera lab: explorations in history, technology, and performance |
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Note:Bibliog |
504
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$aIncludes bibliographical references (pages 231-249) and index. |
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Note:Content |
505
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0 |
$a"Un théâtre est une machine difficile à mouvoir": Developing a transatlantic cultural institution -- Transatlantic production and transatlantic reception : positioning New Orleans through grand opéra -- Audiences and publics : opera in the sociocultural fabric of New Orleans -- Opera's material culture and the creation of global Intimacy -- Reimagining New Orleans in operatic travelogues -- Epilogue: From the transatlantic to the global : beyond the théâtre d'Orléans. |
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Abstract |
520
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$a"A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819-1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city's operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans's Francophone theater, the Théâtre d'Orlèans, as well as the performers who came to the city and the reception they received. But opera's significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines, and visual culture, and dancing in its many ballrooms. New Orleans helped to create transatlantic opera, but opera in turn helped to create the city of New Orleans."--$cProvided by publisher. |
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Subj:Topical |
650
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0 |
$aOpera$zLouisiana$zNew Orleans$y19th century. |
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Subj:Topical |
650
|
0 |
$aOpera and transnationalism$zLouisiana$zNew Orleans. |
|
Subj:Topical |
650
|
0 |
$aMusic$zLouisiana$zNew Orleans$xFrench influences. |
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Subj:Geog. |
651
|
0 |
$aNew Orleans (La.)$xCivilization$xForeign influences. |
|
Subj:Geog. |
651
|
0 |
$aNew Orleans (La.)$xCivilization$y19th century. |
|
SE:Ufm Title |
830
|
0 |
$aOpera lab. |
