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Description Field Ind Field Data
Leader LDR cam i
Control # 1 hbl99081624
Control # Id 3 DLC
Date 5 20240130151627.0
Fixed Data 8 210730s2022 caua b 001 0 eng
LC Card 10    $a 2021037161
ISBN 20    $a9781503629219$q(cloth)
ISBN 20    $a9781503631892$q(paperback)
ISBN 20    $z9781503631908$q(ebook)
Obsolete 39    $a336229$cTLC
Cat. Source 40    $aCSt/DLC$beng$erda$cDLC$dDLC
Authen. Ctr. 42    $apcc
Geog. Area 43    $an-us---
LC Call 50 00 $aPS374.P647$bR36 2022
Dewey Class 82 00 $a813.009/353$223
ME:Pers Name 100 $aRampell, Palmer,$eauthor.
Title 245 10 $aGenres of privacy in postwar America /$cPalmer Rampell.
Tag 264 264  1 $aStanford, California :$bStanford University Press,$c[2022]
Phys Descrpt 300    $a222 pages :$billustrations ;$c24 cm.
Tag 336 336    $atext$btxt$2rdacontent
Tag 337 337    $aunmediated$bn$2rdamedia
Tag 338 338    $avolume$bnc$2rdacarrier
Series:Diff 490 $aPost·45
Note:Bibliog 504    $aIncludes bibliographical references and index.
Note:Content 505 $aIntroduction : the genres of privacy -- The queer art of murder -- Midcentury Black cops -- The science fiction of Roe v. Wade -- A child is being beaten in the 1970s -- Bury me not on the lone prairie -- Conclusion : nothing ever ends.
Abstract 520    $a"With this incisive work, Palmer Rampell reveals the surprising role genre fiction played in redefining the category of the private person in the postwar period. Especially after the Supreme Court established a constitutional right to privacy in 1965, legal scholars, judges, and the general public scrambled to understand the scope of that right. Before and after the Court's ruling, authors of genre fiction and film reformulated their aliens, androids, and monsters to engage in debates about personal privacy as it pertained to issues like abortion, police surveillance, and euthanasia. Triangulating novels and films with original archival discoveries and historical and legal research, Rampell provides new readings of Patricia Highsmith, Dorothy B. Hughes, Philip K. Dick, Octavia Butler, Chester Himes, Stephen King, Cormac McCarthy, and others. The book pairs the right of privacy for heterosexual sex with queer and proto-feminist crime fiction; racialized police surveillance at midcentury with Black crime fiction; Roe v. Wade (1973) with 1960s and 1970s science fiction; the Child Abuse Prevention and Treatment Act (1974) with horror; and the right to die with westerns. While we are accustomed to defenses of fiction for its capacity to represent fully rendered private life, Genres of Privacy suggests that we might value a certain strand of genre fiction for its capacity to theorize the meaning of the protean concept of privacy."--$cProvided by publisher.
Local Note 590    $aRecommended in Resources for College Libraries.
Subj:Topical 650  0 $aAmerican fiction$y20th century$xHistory and criticism.
Subj:Topical 650  0 $aAmerican fiction$y20th century$xThemes, motives.
Subj:Topical 650  0 $aFiction genres$xThemes, motives.
Subj:Topical 650  0 $aPrivacy in literature.
SE:Ufm Title 830  0 $aPost 45.