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Leader |
LDR
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cam1 00 |
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Control # |
1
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67024055 |
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Date |
5
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20030324090900.0 |
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Fixed Data |
8
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690228s1968 nyu 00110 eng |
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LC Card |
10
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$a 67024055 |
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Obsolete |
39
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$a46365$cTLC |
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LC Call |
50
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00 |
$aPS3545.H16$bA15 1968 |
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Dewey Class |
82
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00 |
$a813/.5/2 |
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ME:Pers Name |
100
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1 |
$aWharton, Edith,$d1862-1937. |
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Title:Ufm |
240
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10 |
$aShort stories |
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Title |
245
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14 |
$aThe collected short stories of Edith Wharton.$cEdited and with an introd. by R. W. B. Lewis. |
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Imprint |
260
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$aNew York :$bScribner,$c[1968] |
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Phys Descrpt |
300
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$a2 v. ;$c24 cm. |
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Note:Content |
505
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00 |
$avol. 1:from THE WRITING OF FICTION (1925) :Telling a short story. -- EARLY UNCOLLECTED STORIES (1891-1896): Mrs. Manstey's view. - The fullness of life. - That good may come. - The lamp of Psyche. - The valley of childish things, and other emblems. -- THE GREATER INCLINATION (1899): The muse's tragedy. - A journey. - The pelican.- Souls belated. - A coward. - The twilight of the god. - A cup of cold water. - The portrait. -- EARLY UNCOLLECTED STORIES (1900): April showers. - Friends. - The line of least resistance. -- CRUCIAL INSTANCES (1901): The duchess at prayer. - The angel at the grave. - The recovery. - Copy. - The Rembrandt. - The moving finger. - The confessional. -- THE DESCENT OF MAN (1904): The descent of man. - The mission of Jane. - The other two. - The quicksand. - The dilettante. - The reckoning. - Expiation. - The lady's maid's bell. - A Venetian night's entertainment. -- UNCOLLECTED STORIES (1904-1908): The letter. - The house of the dead hand. - The itnroducers. - Les metteurs en scène. -- THE HERMIT AND THE WILD WOMAN (1908): The hermit and the wild woman. - The last asset. - In trust. - The pretext. - The verdict. - The potboiler. - The best man. |
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Note:Content |
505
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00 |
$aVol. 2:TALES OF MEN AND GHOSTS (1910): The bolted door. - His father's son. - The daunt Diana. - The debt. - Full circle. - The legend. - The eyes. - The blond beast. - Afterward. - The letters. -- XINGU(1916): Xingu. - Coming home. - Autres temps. - Kerfol. - The long run. - The triumph of night. - The choice. -- UNCOLLECTED STORY (1919): Writing a war story. -- HERE AND BEYOND (1926): Miss Mary Pask. - The young gentlemen. - Bewitched. - The seed of the faith. - The temperate zone. - Velvet ear pads. -- CERTAIN PEOPLE (1930): Atrophy. - A bottle of Perrier. - After Holbein. - Dieu d'amour. - The refugees. - Mr. Jones. -- HUMAN NATURE (1933): Her son. - The day of the funeral. - A glimpse. - Joy in the house. - Diagnosis. -- THE WORLD OVER (1936): Charm incorporated. - Pomegranate seed. - Permanent wave. - Confession. - Roman fever. - The looking glass. - Duration. -- From GHOSTS (1937): Preface. - All souls'. |
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AE:Pers Name |
700
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1 |
$aLewis, R. W. B.$q(Richard Warrington Baldwin)$eed. |
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AE:Title Dif |
740
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02 |
$aTelling a short story. |
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AE:Title Dif |
740
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02 |
$aMrs. Manstey's view. |
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AE:Title Dif |
740
|
42 |
$aThe fullness of life. |
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AE:Title Dif |
740
|
02 |
$aThat good may come. |
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AE:Title Dif |
740
|
42 |
$aThe lamp of Psyche. |
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AE:Title Dif |
740
|
42 |
$aThe valley of childish things, and other emblems. |
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AE:Title Dif |
740
|
42 |
$aThe muse's tragedy. |
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AE:Title Dif |
740
|
22 |
$aA journey. |
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AE:Title Dif |
740
|
42 |
$aThe pelican. |
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AE:Title Dif |
740
|
02 |
$aSouls belated. |
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AE:Title Dif |
740
|
22 |
$aA coward. |
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AE:Title Dif |
740
|
42 |
$aThe twilight of the god. |
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AE:Title Dif |
740
|
22 |
$aA cup of cold water. |
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AE:Title Dif |
740
|
42 |
$aThe portrait. |
|
AE:Title Dif |
740
|
02 |
$aApril showers. |
|
AE:Title Dif |
740
|
02 |
$aFriends. |
|
AE:Title Dif |
740
|
42 |
$aThe line of least resistance. |
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AE:Title Dif |
740
|
42 |
$aThe duchess at prayer. |
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AE:Title Dif |
740
|
42 |
$aThe angel at the grave. |
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AE:Title Dif |
740
|
42 |
$aThe recovery. |
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AE:Title Dif |
740
|
02 |
$aCopy. |
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AE:Title Dif |
740
|
42 |
$aThe Rembrandt. |
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AE:Title Dif |
740
|
42 |
$aThe moving finger. |
|
AE:Title Dif |
740
|
42 |
$aThe confessional. |
|
AE:Title Dif |
740
|
42 |
$aThe descent of man. |
|
AE:Title Dif |
740
|
42 |
$aThe mission of Jane. |
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AE:Title Dif |
740
|
42 |
$aThe other two. |
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AE:Title Dif |
740
|
42 |
$aThe quicksand. |
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AE:Title Dif |
740
|
42 |
$aThe dilettante. |
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AE:Title Dif |
740
|
42 |
$aThe reckoning. |
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AE:Title Dif |
740
|
02 |
$aExpiation. |
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AE:Title Dif |
740
|
42 |
$aThe lady's maid's bell. |
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AE:Title Dif |
740
|
22 |
$aA Venetian night's entertainment. |
|
AE:Title Dif |
740
|
42 |
$aThe letter. |
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AE:Title Dif |
740
|
42 |
$aThe house of the dead hand. |
|
AE:Title Dif |
740
|
42 |
$aThe introducers. |
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AE:Title Dif |
740
|
42 |
$aLes metteurs en scène. |
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AE:Title Dif |
740
|
42 |
$aThe hermit and the wild woman. |
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AE:Title Dif |
740
|
42 |
$aThe last asset. |
|
AE:Title Dif |
740
|
02 |
$aIn trust. |
|
AE:Title Dif |
740
|
42 |
$aThe pretext. |
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AE:Title Dif |
740
|
42 |
$aThe verdict. |
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AE:Title Dif |
740
|
42 |
$aThe potboiler. |
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AE:Title Dif |
740
|
42 |
$aThe best man. |
|
AE:Title Dif |
740
|
42 |
$aThe bolted door. |
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AE:Title Dif |
740
|
02 |
$aHis father's son. |
|
AE:Title Dif |
740
|
42 |
$aThe daunt Diana. |
|
AE:Title Dif |
740
|
42 |
$aThe debt. |
|
AE:Title Dif |
740
|
02 |
$aFull circle. |
|
AE:Title Dif |
740
|
42 |
$aThe legend. |
|
AE:Title Dif |
740
|
42 |
$aThe eyes. |
|
AE:Title Dif |
740
|
42 |
$aThe blond beast. |
|
AE:Title Dif |
740
|
02 |
$aAfterward. |
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AE:Title Dif |
740
|
42 |
$aThe letters. |
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AE:Title Dif |
740
|
02 |
$aXingu. |
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AE:Title Dif |
740
|
02 |
$aComing home. |
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AE:Title Dif |
740
|
02 |
$aAutres temps. |
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AE:Title Dif |
740
|
02 |
$aKerfol. |
|
AE:Title Dif |
740
|
42 |
$aThe long run. |
|
AE:Title Dif |
740
|
42 |
$aThe triumph of night. |
|
AE:Title Dif |
740
|
42 |
$aThe choice. |
|
AE:Title Dif |
740
|
02 |
$aWriting a war story. |
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AE:Title Dif |
740
|
02 |
$aMiss Mary Pask. |
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AE:Title Dif |
740
|
42 |
$aThe young gentlemen. |
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AE:Title Dif |
740
|
02 |
$aBewitched. |
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AE:Title Dif |
740
|
42 |
$aThe seed of the faith. |
|
AE:Title Dif |
740
|
42 |
$aThe temperate zone. |
|
AE:Title Dif |
740
|
02 |
$aVelvet ear pads. |
|
AE:Title Dif |
740
|
02 |
$aAtrophy. |
|
AE:Title Dif |
740
|
22 |
$aA bottle of Perrier. |
|
AE:Title Dif |
740
|
02 |
$aAfter Holbein. |
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AE:Title Dif |
740
|
02 |
$aDieu d'amour. |
|
AE:Title Dif |
740
|
42 |
$aThe refugees. |
|
AE:Title Dif |
740
|
02 |
$aMr. Jones. |
|
AE:Title Dif |
740
|
02 |
$aHer son. |
|
AE:Title Dif |
740
|
42 |
$aThe day of the funeral. |
|
AE:Title Dif |
740
|
22 |
$aA glimpse. |
|
AE:Title Dif |
740
|
02 |
$aJoy in the house. |
|
AE:Title Dif |
740
|
02 |
$aDiagnosis. |
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AE:Title Dif |
740
|
02 |
$aCharm incorporated. |
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AE:Title Dif |
740
|
02 |
$aPomegranate seed. |
|
AE:Title Dif |
740
|
02 |
$aPermanent wave. |
|
AE:Title Dif |
740
|
02 |
$aConfession. |
|
AE:Title Dif |
740
|
02 |
$aRoman fever. |
|
AE:Title Dif |
740
|
42 |
$aThe looking glass. |
|
AE:Title Dif |
740
|
02 |
$aDuration. |
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AE:Title Dif |
740
|
02 |
$aPreface (to Ghosts) |
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AE:Title Dif |
740
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02 |
$aAll souls' |
