|
|
|
|
Leader |
LDR
|
|
cam1 00 |
Control # |
1
|
|
67024055 |
Date |
5
|
|
20030324090900.0 |
Fixed Data |
8
|
|
690228s1968 nyu 00110 eng |
LC Card |
10
|
|
$a 67024055 |
Obsolete |
39
|
|
$a46365$cTLC |
LC Call |
50
|
00 |
$aPS3545.H16$bA15 1968 |
Dewey Class |
82
|
00 |
$a813/.5/2 |
ME:Pers Name |
100
|
1 |
$aWharton, Edith,$d1862-1937. |
Title:Ufm |
240
|
10 |
$aShort stories |
Title |
245
|
14 |
$aThe collected short stories of Edith Wharton.$cEdited and with an introd. by R. W. B. Lewis. |
Imprint |
260
|
|
$aNew York :$bScribner,$c[1968] |
Phys Descrpt |
300
|
|
$a2 v. ;$c24 cm. |
Note:Content |
505
|
00 |
$avol. 1:from THE WRITING OF FICTION (1925) :Telling a short story. -- EARLY UNCOLLECTED STORIES (1891-1896): Mrs. Manstey's view. - The fullness of life. - That good may come. - The lamp of Psyche. - The valley of childish things, and other emblems. -- THE GREATER INCLINATION (1899): The muse's tragedy. - A journey. - The pelican.- Souls belated. - A coward. - The twilight of the god. - A cup of cold water. - The portrait. -- EARLY UNCOLLECTED STORIES (1900): April showers. - Friends. - The line of least resistance. -- CRUCIAL INSTANCES (1901): The duchess at prayer. - The angel at the grave. - The recovery. - Copy. - The Rembrandt. - The moving finger. - The confessional. -- THE DESCENT OF MAN (1904): The descent of man. - The mission of Jane. - The other two. - The quicksand. - The dilettante. - The reckoning. - Expiation. - The lady's maid's bell. - A Venetian night's entertainment. -- UNCOLLECTED STORIES (1904-1908): The letter. - The house of the dead hand. - The itnroducers. - Les metteurs en scène. -- THE HERMIT AND THE WILD WOMAN (1908): The hermit and the wild woman. - The last asset. - In trust. - The pretext. - The verdict. - The potboiler. - The best man. |
Note:Content |
505
|
00 |
$aVol. 2:TALES OF MEN AND GHOSTS (1910): The bolted door. - His father's son. - The daunt Diana. - The debt. - Full circle. - The legend. - The eyes. - The blond beast. - Afterward. - The letters. -- XINGU(1916): Xingu. - Coming home. - Autres temps. - Kerfol. - The long run. - The triumph of night. - The choice. -- UNCOLLECTED STORY (1919): Writing a war story. -- HERE AND BEYOND (1926): Miss Mary Pask. - The young gentlemen. - Bewitched. - The seed of the faith. - The temperate zone. - Velvet ear pads. -- CERTAIN PEOPLE (1930): Atrophy. - A bottle of Perrier. - After Holbein. - Dieu d'amour. - The refugees. - Mr. Jones. -- HUMAN NATURE (1933): Her son. - The day of the funeral. - A glimpse. - Joy in the house. - Diagnosis. -- THE WORLD OVER (1936): Charm incorporated. - Pomegranate seed. - Permanent wave. - Confession. - Roman fever. - The looking glass. - Duration. -- From GHOSTS (1937): Preface. - All souls'. |
AE:Pers Name |
700
|
1 |
$aLewis, R. W. B.$q(Richard Warrington Baldwin)$eed. |
AE:Title Dif |
740
|
02 |
$aTelling a short story. |
AE:Title Dif |
740
|
02 |
$aMrs. Manstey's view. |
AE:Title Dif |
740
|
42 |
$aThe fullness of life. |
AE:Title Dif |
740
|
02 |
$aThat good may come. |
AE:Title Dif |
740
|
42 |
$aThe lamp of Psyche. |
AE:Title Dif |
740
|
42 |
$aThe valley of childish things, and other emblems. |
AE:Title Dif |
740
|
42 |
$aThe muse's tragedy. |
AE:Title Dif |
740
|
22 |
$aA journey. |
AE:Title Dif |
740
|
42 |
$aThe pelican. |
AE:Title Dif |
740
|
02 |
$aSouls belated. |
AE:Title Dif |
740
|
22 |
$aA coward. |
AE:Title Dif |
740
|
42 |
$aThe twilight of the god. |
AE:Title Dif |
740
|
22 |
$aA cup of cold water. |
AE:Title Dif |
740
|
42 |
$aThe portrait. |
AE:Title Dif |
740
|
02 |
$aApril showers. |
AE:Title Dif |
740
|
02 |
$aFriends. |
AE:Title Dif |
740
|
42 |
$aThe line of least resistance. |
AE:Title Dif |
740
|
42 |
$aThe duchess at prayer. |
AE:Title Dif |
740
|
42 |
$aThe angel at the grave. |
AE:Title Dif |
740
|
42 |
$aThe recovery. |
AE:Title Dif |
740
|
02 |
$aCopy. |
AE:Title Dif |
740
|
42 |
$aThe Rembrandt. |
AE:Title Dif |
740
|
42 |
$aThe moving finger. |
AE:Title Dif |
740
|
42 |
$aThe confessional. |
AE:Title Dif |
740
|
42 |
$aThe descent of man. |
AE:Title Dif |
740
|
42 |
$aThe mission of Jane. |
AE:Title Dif |
740
|
42 |
$aThe other two. |
AE:Title Dif |
740
|
42 |
$aThe quicksand. |
AE:Title Dif |
740
|
42 |
$aThe dilettante. |
AE:Title Dif |
740
|
42 |
$aThe reckoning. |
AE:Title Dif |
740
|
02 |
$aExpiation. |
AE:Title Dif |
740
|
42 |
$aThe lady's maid's bell. |
AE:Title Dif |
740
|
22 |
$aA Venetian night's entertainment. |
AE:Title Dif |
740
|
42 |
$aThe letter. |
AE:Title Dif |
740
|
42 |
$aThe house of the dead hand. |
AE:Title Dif |
740
|
42 |
$aThe introducers. |
AE:Title Dif |
740
|
42 |
$aLes metteurs en scène. |
AE:Title Dif |
740
|
42 |
$aThe hermit and the wild woman. |
AE:Title Dif |
740
|
42 |
$aThe last asset. |
AE:Title Dif |
740
|
02 |
$aIn trust. |
AE:Title Dif |
740
|
42 |
$aThe pretext. |
AE:Title Dif |
740
|
42 |
$aThe verdict. |
AE:Title Dif |
740
|
42 |
$aThe potboiler. |
AE:Title Dif |
740
|
42 |
$aThe best man. |
AE:Title Dif |
740
|
42 |
$aThe bolted door. |
AE:Title Dif |
740
|
02 |
$aHis father's son. |
AE:Title Dif |
740
|
42 |
$aThe daunt Diana. |
AE:Title Dif |
740
|
42 |
$aThe debt. |
AE:Title Dif |
740
|
02 |
$aFull circle. |
AE:Title Dif |
740
|
42 |
$aThe legend. |
AE:Title Dif |
740
|
42 |
$aThe eyes. |
AE:Title Dif |
740
|
42 |
$aThe blond beast. |
AE:Title Dif |
740
|
02 |
$aAfterward. |
AE:Title Dif |
740
|
42 |
$aThe letters. |
AE:Title Dif |
740
|
02 |
$aXingu. |
AE:Title Dif |
740
|
02 |
$aComing home. |
AE:Title Dif |
740
|
02 |
$aAutres temps. |
AE:Title Dif |
740
|
02 |
$aKerfol. |
AE:Title Dif |
740
|
42 |
$aThe long run. |
AE:Title Dif |
740
|
42 |
$aThe triumph of night. |
AE:Title Dif |
740
|
42 |
$aThe choice. |
AE:Title Dif |
740
|
02 |
$aWriting a war story. |
AE:Title Dif |
740
|
02 |
$aMiss Mary Pask. |
AE:Title Dif |
740
|
42 |
$aThe young gentlemen. |
AE:Title Dif |
740
|
02 |
$aBewitched. |
AE:Title Dif |
740
|
42 |
$aThe seed of the faith. |
AE:Title Dif |
740
|
42 |
$aThe temperate zone. |
AE:Title Dif |
740
|
02 |
$aVelvet ear pads. |
AE:Title Dif |
740
|
02 |
$aAtrophy. |
AE:Title Dif |
740
|
22 |
$aA bottle of Perrier. |
AE:Title Dif |
740
|
02 |
$aAfter Holbein. |
AE:Title Dif |
740
|
02 |
$aDieu d'amour. |
AE:Title Dif |
740
|
42 |
$aThe refugees. |
AE:Title Dif |
740
|
02 |
$aMr. Jones. |
AE:Title Dif |
740
|
02 |
$aHer son. |
AE:Title Dif |
740
|
42 |
$aThe day of the funeral. |
AE:Title Dif |
740
|
22 |
$aA glimpse. |
AE:Title Dif |
740
|
02 |
$aJoy in the house. |
AE:Title Dif |
740
|
02 |
$aDiagnosis. |
AE:Title Dif |
740
|
02 |
$aCharm incorporated. |
AE:Title Dif |
740
|
02 |
$aPomegranate seed. |
AE:Title Dif |
740
|
02 |
$aPermanent wave. |
AE:Title Dif |
740
|
02 |
$aConfession. |
AE:Title Dif |
740
|
02 |
$aRoman fever. |
AE:Title Dif |
740
|
42 |
$aThe looking glass. |
AE:Title Dif |
740
|
02 |
$aDuration. |
AE:Title Dif |
740
|
02 |
$aPreface (to Ghosts) |
AE:Title Dif |
740
|
02 |
$aAll souls' |