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Leader |
LDR
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cam a 00 |
Control # |
1
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90033172 |
Date |
5
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20190911110436.0 |
Fixed Data |
8
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900221s1991 enka b 00100 eng |
LC Card |
10
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$a 90033172 |
ISBN |
20
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$a0521394112 |
Obsolete |
39
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|
$a88725$cTLC |
Cat. Source |
40
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|
$aDLC$cDLC$dDLC |
LC Call |
50
|
00 |
$aPN1655$b.T57 1991 |
Dewey Class |
82
|
00 |
$a801/.952$220 |
Title |
245
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00 |
$aReading plays :$binterpretation and reception /$cedited by Hanna Scolnicov & Peter Holland. |
Imprint |
260
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|
$aCambridge [England] ;$aNew York :$bCambridge University Press,$c1991. |
Phys Descrpt |
300
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|
$avii, 238 p. :$billus. ;$c23 cm. |
Note:Bibliog |
504
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|
$aIncludes bibliographical references and index. |
Note:Content |
505
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00 |
$tReading to the company /$rPeter Holland. -$tTo read a play: the problem of editorial intervention /$rStanley Wells. -$tThe mind's eye, the worthy scaffold, the real thing: how to read a Shakespeare play /$rJames Redmond. -$tPlots are not stories: the so-called 'duality method' of Terence /$rDwora Gilula. -$tStaging plays in the theatre of the mind /$rHerbert Grabes. -$tReading the body: the corporeality of Shakespeare's text /$rManfred Pfister. -$tReading Shakespeare's The Merchant of Venice with German students /$rRuth von Ledebur. -$tReading letters in plays: short courses in practical epistemology? /$rJulian Hilton. -$tMolière and his readers /$rMaya Slater. -$tModes of theatricality in Molière's comeidies (Dom Juan and Le Bourgeois gentilhomme) /$rWolfgang Matzat. -$tChekhov's reading of Hamlet /$rHanna Scolnicov. -$tShaw's stage directions /$rE.A. Levenston. -$tMarat/Sade and the politics of interpretation /$rUna Chaudhuri. -$t'They don't make them like that any more': intertextuality in Old Times /$rTetsuo Kishi. |
Subj:Topical |
650
|
0 |
$aDrama. |
Subj:Topical |
650
|
0 |
$aTheater. |
AE:Pers Name |
700
|
1 |
$aScolnicov, Hanna. |
AE:Pers Name |
700
|
1 |
$aHolland, Peter,$d1951- |