|
|
|
|
|
Leader |
LDR
|
|
cam a 00 |
|
Control # |
1
|
|
96019957 |
|
Control # Id |
3
|
|
DLC |
|
Date |
5
|
|
20200120094006.0 |
|
Fixed Data |
8
|
|
960507s1997 cau b 001 0 eng |
|
LC Card |
10
|
|
$a 96019957 //r97 |
|
ISBN |
20
|
|
$a1565105745 (lib. : alk. paper) |
|
ISBN |
20
|
|
$a1565105737 (pbk. : alk. paper) |
|
Obsolete |
39
|
|
$a98003$cTLC |
|
Cat. Source |
40
|
|
$aDLC$cDLC$dDLC |
|
LC Call |
50
|
00 |
$aPR2981$b.R43 1997 |
|
Dewey Class |
82
|
00 |
$a822.3/3$220 |
|
Title |
245
|
00 |
$aReadings on the comedies /$cClarice Swisher, book editor. |
|
Title:Varint |
246
|
30 |
$aComedies |
|
Title:Varint |
246
|
14 |
$aReadings on the comedies, William Shakespeare |
|
Imprint |
260
|
|
$aSan Diego, CA :$bGreenhaven Press,$cc1997. |
|
Phys Descrpt |
300
|
|
$a192 p. ;$c23 cm. |
|
Series:Title |
440
|
0 |
$aGreenhaven Press literary companion to British literature |
|
Note:General |
500
|
|
$a"This volume brings together a wide range of scholars and critics. Both American and British authors are represented. Selections cover more than a century of criticism, from Dowden in the 1880s to a 20th-century feminist. MOreover, this volume includes essays by some of the most respected Shakespearean scholars and critics, including Northrop Frye, G.B. Harrison, Caroline F.E. Spurgeon, Helen Gardner, and Harold S. Wilson." -- introd. |
|
Note:Bibliog |
504
|
|
$aIncludes bibliographical references (p. 184-186) and index. |
|
Note:Content |
505
|
00 |
$tShakespeare's comedies are playful /$rJohn Jay Chapman. -$tShakespeare's comedies are progressively more masterful /$rG.B. Harrison. -$tShakespeare's comedies show women as equal partners with men /$rGermaine Greer. -$tStrong women prevail in Shakespeare's comedies /$rAngela Pitt. -$tShakespeare's comedies combine convention and personal style /$rGeorge Gordon. -$tImagery establishes atmosphere and background in the comedies /$rCaroline F.E. Spurgeon. -$tThe Comedy of Errors is a farce /$rFrancis Fergusson. -$tSerious themes in The Comedy of Errors /$rR.A. Foakes. -$tThe Taming of the Shrew is a farce /$rMark Van Doren. -$tAn understanding of Elizabethan medicine enlightens The Taming of the Shrew /$rJohn W. Draper. -$tShakespeare constructs two interacting worlds in A Midsummer Night's Dream /$rDavid Young. -$tFour worlds merge in A Midsummer Night's Dream /$rMadeleine Doran. -$tA Midsummer Night's Dream as entertainment for a wedding /$rPaul N. Siegel. -$tAs You Like It as romance /$rLouis B. Wright and Virginia A. LaMar. -$tAs You Like It: a comedy of discovery /$rHelen Gardner. -$tCreative devices make Twelfth Night a great comedy /$rHarold Jenkins. -$tMorality lessons in Twelfth Night /$rJohn Hollander. -$tShakespeare's mastery is evident in the last plays /$rEdward Dowden. -$tSimilarity between Measure for Measure and The Tempest /$rHarold S. Wilson. -$tThree themes in The Tempest /$rNorthrop Frye. |
|
Subj:Pers |
600
|
10 |
$aShakespeare, William,$d1564-1616$xComedies. |
|
Subj:Topical |
650
|
0 |
$aComedy. |
|
AE:Pers Name |
700
|
1 |
$aSwisher, Clarice,$d1933- |
