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Leader |
LDR
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cam a 00 |
Control # |
1
|
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97004016 |
Control # Id |
3
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DLC |
Date |
5
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|
20191017152321.0 |
Fixed Data |
8
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970109s1997||||mau b 001 0 eng |
LC Card |
10
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|
$a 97004016 |
ISBN |
20
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$a0674634284 (cloth : alk. paper) |
ISBN |
20
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$a0674634292 (pbk. : alk. paper) |
Obsolete |
39
|
|
$a99240$cTLC |
Cat. Source |
40
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|
$aDLC$cDLC$dGCG |
LC Call |
50
|
00 |
$aPN1995$b.B6174 1997 |
Dewey Class |
82
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00 |
$a791.43/01$221 |
ME:Pers Name |
100
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1 |
$aBordwell, David. |
Title |
245
|
10 |
$aOn the history of film style /$cDavid Bordwell. |
Imprint |
260
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|
$aCambridge, Mass. :$bHarvard University Press,$c1997. |
Phys Descrpt |
300
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$ax, 322 p. :$bill. ;$c26 cm. |
Note:Bibliog |
504
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$aIncludes bibliographical references and index. |
Note:Content |
505
|
0 |
$aThe way movies look: the significance of stylistic history -- Defending and defining the seventh art: the standard version of stylistic history -- Against the seventh art: Andr Bazin and the dialectical program -- The return of modernism: Nol Burch and the oppositional program -- Prospects for progress: recent research programs -- Exceptionally exact perceptions: on staging in depth. |
Subj:Topical |
650
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0 |
$aMotion pictures$xAesthetics. |
Subj:Topical |
650
|
0 |
$aMotion pictures$xHistoriography. |